Jennifer Tetlow - Stone Sculpture Journal

Bird Box and Big Watch

2012-01-20T00:14:00.000-08:00

Over the last week or so my birds have been frantic at the feeders, I'm filling up each day and keeping my eye on the birdbaths, defrosting and topping up.

I've also put up a bird nest box. This one is open at the front, a favourite with species incuding Robins, Wrens, Blackbird, Spotted Flycather and Song Thrush. Birds generally breed from February through to August, but by putting up my box a bit earlier increases the chance of it being used.

I love that this one is just a Birch log hollowed out, and looks very natural - I got it from from C J Wildlife. They also have a section about how to build your own box.

I've put it on the old Sycamore tree, about nine feet up. The best height for nest boxes is widely accepted as being between five and eighteen feet respectively. (I was tempted to place it a bit lower, so I could see the brood easily if it is taken up!). I have also placed the box on the North East side of the trunk, avoiding prevailing winds and strong sunlight. Open boxes require more cover and protection, so it is near a small branch, where, when the tree is in leaf, the box will be partly obscured and feel safe. It also aids young birds taking their first flights, as they have something to launch out to and plenty of cover.

I'm really hoping that this Robin will take up the box. His favourite spot is the knobbly handle on the wheel of my forklift, where he sits and watches my hammer wielding antics (he went camera shy!).

In part, this is all in preparation for the RSPB Big Garden Bird Watch, for the weekend 28th and 29th January. You can download from the site a counting sheet to record what you see. Hope you'll join in.

Chill Factor

2012-01-17T23:25:00.000-08:00

Ooh it has been cold, beautiful, but cold. These still days of dry, deep frost, blue skies and sunshine are some of my very favourite, but it does make work slow going.

When I arrived at the sheds yesterday it was some time before I could make a start as the chisels I left the night before, were stuck to the stone (should have put them away properly!). Actually frozen stone is strange to work with, as it doesn't behave in its usual way, and it is best to leave well alone until thawed.

Stone outside was sparkling with frosty diamonds and coated with icy fur - sticks to your hands if you pick it up - so it stays looking beautiful until the sun has had time to melt and make manageable.

The Birds and the Bees

2012-01-16T00:41:00.000-08:00

I'm working on some sketches at the moment for Bird sculptures for an exhibition I have been invited to exhibit at The Birds and the Bees at the Craft Centre and Design Gallery, City Art Gallery, The Headrow, Leeds.

I thought if I could, I would include a Bee Eater, and my idea is to carve this in Serpentine or Soapstone. They are such colourful, sleek birds that a stone with a bit of variation and shine would suit the piece well.

A Bee Eater will be quite a challenge to carve, with its thin, streamlined body and very sharp elongated bill. There may have to be a few compromises.

Exhibition Dates: Saturday 24th March - Saturday 30th June

The Craft Centre and Design Gallery
City Art Gallery
The Headrow
Leeds
LS1 3AB

0113 247 8241 craftcentre-leeds@btconnect.com www.craftcentreleeds.co.uk

Pebble Cushions

2012-01-14T02:53:00.000-08:00

I'm so taken with these - just had to show you some more.

Pebble cushions by Ronel Jordaan.

Soft Stones

2012-01-14T02:32:00.000-08:00

It's those pebble shapes again - these are heavenly, muted natural colours - stone colours - and I just want to go over and touch them, and wrap my arms around them. Don't you find the shapes and colours soothing and calming?

These ones are large enough to sit on - and you don't need to worry about them being uncomfortable either, they're actually made of wool - 100% natural wool, felted and fashioned into pebble seats and rock cushions by Ronel Jordaan.

The wool is hand dyed and hand felted into these free forming oversized pebbles.

Ronél Jordaan is inspired by nature. Her designs eloquently and playfully infuse contemporary interiors with the beauty, simplicity and serenity of the outdoors. Using natural fibres, mostly Merino wool, Ronél lets her imagination run wild in the creation of rock cushions, pebble ‘riverbed’ carpets, intricately accented ‘falling leaves’ wall hangings, floral-patterned throws and more.

The rocks come in a range of sizes from small 16" x 12" x 8" to large boulder at 6' x 3' x 2', actually large enough to recline on.

Don't they look real?

Stone Away

2012-01-13T07:29:00.000-08:00

Today a lorry came to the worksheds to collect the Compass Stone and deliver it to site. It was huge. All got loaded with relative ease, and then the driver set off. Within a few moments the back wheels were spinning with mud flying everywhere.

I suppose my sheds are not best positioned, it is a bit of an incline to get out of the gate and back onto the road, and the track has become grassed over somewhat.

Luckily I have lots of stone chips to help with grip, and after spreading a few barrowloads the waggon progressed a few feet. Back to the start, more skidding, back down the slope, more chips, and eventually after a good few run-ups, he was out of the gate. I did worry for a moment that he would not get away - no chance of towing him out!

Thank goodness for a beautiful sunny day, I hate this sort of job in the pouring rain, wind and sleet, which is so often the case.

Its quiet again here now, and I will take advantage to put a layer of hardcore down to reinforce the track and yard and tidy up a bit.

Bright Wolf Moon

2012-01-11T03:12:00.000-08:00

Yesterday I was up really early, a just finished sculpture was being collected, and I wanted to be ready and organised. Though it was hours before sunrise, it was almost light, the moon shone so bright. As I got to the sheds the geese greeted me, their whiteness almost luminous in the bluey beam, soft and glowing they appeared as magic geese.

Image and all moon names at Vivaboo

It was a full moon, the first of the year and known as the Wolf Moon. Full Moon names date back to Native Americans who used the full moon to help keep track of the seasons. In January amid the cold and deep snows of midwinter, the wolf packs howled hungrily outside Indian villages. Thus, the name for January’s full Moon. Sometimes it was also referred to as the Old Moon, or the Moon After Yule, Ice Moon or even the Full Snow Moon.

The moon has long been a source of fascinations and facts... of magic, mystery, and research. It is most interesting when lore and science collide, and even agree.

Image

It is well-storied that the full moon was the catalyst that turned men into werewolves, and current hospital records and police blotters show that on full moon nights, the number of violent occurrences indeed does rise. From "luna" (moon), comes the word "lunacy".

The moon eventually let go to a spectacular crimson sunrise and beautiful morning and we packed my sculpture into the van for the journey to its new home.

Topiary

2012-01-09T01:06:00.000-08:00

I am drawn to topiary gardens, usually the green shapes, mounds and patterns an excitement and build up to a central focal point or encased sculpture, or magnificent stone carving. I would like to include it in my garden in some way, I love gardens that are all green, where texture, shape of leaf and different shades of green make the beauty, and I think I will need to create some hedge boundaries, walls or screens.

Image gapphotos.com

Topiary is the horticultural practice of training live perennial plants, by clipping the foliage and twigs of trees, shrubs and subshrubs to develop and maintain clearly defined shapes, perhaps geometric or fanciful. As an art form it is a type of living sculpture. The word derives frm the Latin word for an ornamental landscape gardener, topiarius, a creator of topia, or 'places'.

I rather like the idea of free clipping and shaping, although it seems that you can buy all manner of wire frame shapes, as guides, which offer lots of ideas and food for thought, such as at Topiary Garden. If I do use a guide, likely I'll make my own wire shape round which to grow some ivy, which produces good results in only a few months.

Evergreen Topiary - The Enduring Gardener

Commonly used for Topiary are Yew and Box, but for a faster effect Bay, Hornbeam, Beech and Hawthorne are suitable. Whatever plant is used the rules for making topiary are the same, grow to the height you want, keep feeding and clipping - then the artistry begins.

I have an old pair of hand sheep shears which will be perfect to make a start.

Of course hugely inspiring are the Overhanging Gardens of Marqueysaac in France.

And at Washington Old Hall, Tyne & Wear.

And the ever exuberant Levens Hall in Cumbria.

Things I'd Like in my Garden

2012-01-07T01:23:00.000-08:00

Actually I don't really have a garden - apart from my vegetable area - so it is one of my 'to do's' for this year, creating a garden at my workshop. It will have to be goose friendly and sculpture inclusive - really it will be a very small sculpture garden. It needs to just blend into the surrounding open countryside too. I'm enjoying searching for ideas and making plans.

A carved stone seated female figure - early 20th century, circle of Mary spencer Watson.

I got a bit distracted recently when I saw that Will Fisher is having a sale at Christie's in preparation for relocation to new premises for his company Jamb. Items from his collection going under the hammer include sculpture and garden ornaments. I've selected a few items I would bid for, to bring back for my new garden.

Quern Stone Mortar

Pair of Sandstone Urns

Sandstone Gargoyle Head

Sandstone Lion's Head

An Assortment of Architectural Mouldings

And I could not resist a few engravings - these can perhaps influence the styling of the garden along with the Mouldings - but they would have to find a home inside.

I'm wondering which is the best way round - do I make the garden and then add the finishing touches of ornaments and decoration or do I lay out all my objects and create the garden around them, for them.

Mustn't forget the objective - to tidy up the surrounds of the workshop and yard making a garden area to show my sculpture and stonework.

There was just one more item - the geese would love this (so would I - alfresco bathing!).

Large Marble Bath

Wind Worn Stone

2012-01-05T01:55:00.000-08:00

It's blowing out there! Sort of exciting and frightening at the same time - nearly being taken off my feet and in fear of the little tin roofs being torn off the sheds - but oh such a huge and intense reminder of the power of nature.

Working in it has been quite difficult, not just because of the cold, but stone dust is thrown up into the air, and into my face - so its regularly down-tools to stop a dripping nose and streaming eyes.

I've thought as the gales rage around me that at least my stone is not affected, it sits there, unwavering and solid. And then I think of the stones out on the moors, where the wind blows hardest and meanest, and the stones are wind worn, into the softest, most sensitive shapes. It makes my chisel marks seem invasive and sharp, unnatural - how I wish I had the power and subtlety of the wind at my fingertips to shape my stones.

Wind alters the surface character of stone, eroding and revealing the rock's make-up, it brings abrasives which etch, scour and polish it into the most natural forms there can be.

The Hare Rock near Tregastel. Natural erosion of this part of Brittany, has resulted in bold, rounded, strange forms and shapes in the pink granite.

Wind worn stones in the desert.

These wind worn stones are called Inselbergs.

Just look at these beautifully formed wind caves!

And these amazing pillars are from Bryce Canyon - they're called Hoodoo - the spines are gradually worn away by wind and rain - the weakest rock wearing away soonest.

The colours come from the rich iron and lime sediments deposited by ancient rivers and streams over eons. The natives explained the numerous and colourful Hoodoos as 'legend people' who were turned to stone by the mythical Coyote.

image via Kite Aerial Photography

So I'm thinking positively about the gales and gusts as they batter and blow, knowing they are also part of the long shaping process their caresses have on stone.

Greek Architecture and Sculpture

2012-01-03T01:30:00.000-08:00

One of my first projects this year is to run a stone carving and sculpture course for a group of Lower 6th school pupils. They are studying Greek architecture and stone sculpture and want to have some 'hands on' experience to better understand how the Greeks worked and created their sculpture.

For me this is a very exciting prospect - as a sculptor in stone, I have been delighted, inspired by and often referred to Greek art, and for me there is no greater expression of it than in its sculpture.

I know I am going to learn a lot myself during this course. To begin, I'm now re-reading a favourite on my bookshelf, Greek Sculpture by John Boardman, to refresh - and it is of course taking me to lots of other sources for further information. An article recently scribed by Stephen Fry caught my eye too - A Modest Proposal which reminds us of their extraordinary achievements.

I will be keen to point out to the students that the tooling used by them on the course, will be very similar to the chisels - point, drove, flat chisel and the rasps, used by the Greeks. Not only did the Greeks make manifold progress in terms of form (patterns and proportions were of prime importance), they also made strides in progress with tooling. Their woodworking techniques had given rise to the use of many tools, adapted for use with stone, but they also invented the claw chisel, usually five-toothed and about 1.5 cm wide, and this, in its same form, is still used (my favourite chisel) today.

So I'm busy with the Greeks, with lots of preparation to do, which I am thoroughly enjoying! I'm going to try and organise a Greek meal for them to have at lunch time too, and wonder if I can learn a little Greek speak before February, at least a few sculpture phrases I think. They are going to have to work hard these students, but the results will be brilliant - their tutor is coming too, to help me keep them at it - I'm very much looking forward to the results.

Happy New Year

2012-01-01T06:43:00.000-08:00

I've just walked out on the brand new year with my little bag full of dreams and ideas - and it feels good!

Warmest wishes for a happy and creative year to all for 2012.

Tick Tock

2011-12-31T06:14:00.000-08:00

As the last hours of 2011 draw nigh I'm thinking of all the celebrations and well wishing and love and good-will and wish I could bottle its power - as we all see in and celebrate the New Year what good energy, what strength! It will ripple around the earth in a massive joyful wave. Hope you feel its warmth.

But before the clock strikes.....

A toast to thee, 0 dear old year,
While the last moments fly,
A toast to thy sweet memory -
We'll lift the glasses high,
And bid to thee a fond farewell
As thou art passing by!

A toast to those who reaped success
In this good year of grace;
A toast to every one of them -
Come! Give the victors place!
Come, wish them well with right good will -
The winners in the race!

And one toast more! To those who failed
Wherever they may be;
With faces white they fought the fight,
But missed the victory;
So here's to them - the ones who strove -
On land and on the sea!

Fair dreams to thee, 0 grey old year,
Thy working time is done,
And gone for thee the silver moon,
And golden noon-day sun;
Yet sad old year - and glad old year -
We'll know no better one.

by Virna Sheard

Finials

2011-12-30T05:47:00.000-08:00

The word Finial comes from the Latin Finis - the end - so actually it is quite apt as the year is finishing - but I only realised that connection just now. I love finials, stone ones in particular. I look out for them and admire the mastery of carving. By old writers the architectural term is frequently applied to a pinnacle (more about pinnacles to follow), and usually confined to a bunch of foliage which terminates pinnacles, canopies and pediments in Gothic architecture. The introduction of finials was at a time when crockets (more about them to follow too), were popular, to which they bear a close affinity. The leaves used in finials often resemble those used on crockets, and sometimes four joined together would make up a finial. Spires are often topped with finials.

Beautiful examples exist at King's College, Cambridge which my latest lino-cut attempts to show. Where gables support ornamental decoration or finish in the form of a final, they are sometimes known as hip-knobs.

These are some more modern ones - Five Finials by Ian Hamilton Finlay (with Peter Coates)

Reviewing and Looking Ahead

2011-12-29T02:02:00.000-08:00

As the year comes to a close we are bound to think about what kind of twelve months it has been, and also plan ahead for the new.

From Sine's Proverbs

It is exciting to assess what has been achieved and organise for the next chapter - aspire, clarify intentions, and design ways of proceeding. My goals revolve around doing better what I love doing most, sculpting in stone, and perhaps growing as a human being a little, and I find it essential to draw myself a sort of map, so I can head off in the right direction.

I think I re-draw the chart from time to time as I go along, but providing I remain focused and true, I suppose there are many routes I can take.

It is lovely to think of, and hear about, everyone else's maps and their journeys - and a marvel that we all arrive here having come along such different paths during 2011.

Here's hoping all your plans go to plan.

My Christmas Gifts

2011-12-27T00:40:00.000-08:00

I wake very early on Christmas morning, there's lots to do and a day full of promise. First thing is to go and say Happy Christmas to my geese and take them their festive breakfast - a mix of lots of their very favourite things - they talk loudly and enjoy the special attention. I say Merry Christmas to my worksheds too, leaning against the large wood doors and looking out on my favourite view. Large flocks of corvids play and swirl in the near light, enjoying the buffeting wind. My robin chirrups. I fill the bird feeders.

After lighting of fires, preparing, cooking, greeting, welcoming, kissing, hugging and enjoying - its time for a good brisk walk. No snow or crisp frost, but enough of a wind to freshen and free.

I got a present of a lino cutting set - complete with ink, cutters and lino - so the evening was spent adding lino scraps and slivers to the paper and pine-needle debris. Need more cutter control, but what a fascinating and versatile printing technique - I could be hooked.

Happy Christmas

2011-12-22T22:15:00.000-08:00

A big hearty Happy Christmas, lots of the very best wishes to you all! And big thankyous too, for your support, comments and lovely blogs which I very much enjoy and appreciate every day. Cheers to you!

Celebrate the Light

2011-12-21T06:30:00.000-08:00

This is one of my most favourite Christmas decorations - I know her as Tonantzin. An Aztec Mother God who was honoured in a Winter Solstice festival. So much of early belief was about finding something uplifting at this dark time of year, and using what small amount of light there was, to illuminate and raise the spirit, mind and soul. Stone structures were built in line with the low, late rising sun to allow light within to illuminate the gloom.

Tonantzin was much revered and worshiped and many stories surround her great presence. She is often depicted as a terrifying figure, with her head comprised of snakes and her garment a mass of writhing serpents - her eyes projecting fathomless grief. One of her sons believed himself to be omnipotent (all powerful). Tonantzin challenged him to produce mother's milk to prove he could be as generous as he was fierce. He could not, and Tonantzin became known as a protective Goddess - one who answered the prayers of the poorest and who especially watched over birthing mothers.

On the shortest day of the year, four days before Christmas, a chosen woman dressed entirely in white with white shells and eagle feathers. She then danced through the crowds of people weeping and singing. An Aztec priest accompanied her and when her dance was complete, he took the Goddess's mask and ritually sacrificed her. Next day Aztec men struck the women of the community with little bags full of green paper to symbolically renew the life force. The Aztecs were celebrating the return of the Sun with longer days to nourish their life

Images of Christmas

2011-12-19T10:27:00.000-08:00

I've been asked to read one of the lessons at our village Carol Service tomorrow evening - The Shepherds go to the Manger. I've always liked this part of the story - of shepherds watching their flocks - awoken by an amazing thing - it is part of the build up to the final magic of the nativity - all gathered, sheep bleating and cattle lowing around the manger. Candles and Carols and the thick stone pillars and walls of the Church create a warm surround for the images in my mind. The sculptors of old depict this part of the story at Notre Dame Cathedral, where the shepherds look totally bemused.

And more stone carving at Chartres Cathedral show the angel appearing to the shepherds. The sheep in both seem unconcerned and continue grazing.

And this is what the shepherds are told they will find.

Extraordinarily fine stone carving - Nativity sculpture at Chartres

Stone carving of The Nativity - Notre Dame

I am sure my vision of it all, the images I bring to mind, are hugely influenced by art and I wonder how I would carve my stone version of The Shepherds go to the Manger. I mustn't be too distracted by this when I'm supposed to be reading.

Finishing Touches

2011-12-17T04:44:00.000-08:00

I've collected holly and ivy, gathered cones, lit candles, got twinkly lights, polished for sparkle and put up the last decorations - its glowing!

If you don't succeed ...

2011-12-16T00:34:00.000-08:00

Try, try again! I have said this to myself so many times, and others have said it to me - generally being optimistic and hopeful, it seems to make sense and I have leapt with glee when it works. But where my 'festive window' is concerned it isn't. Well, not yet!

Without doubt I see it in my mind's eye, I know the feel, and look I want, but seem incabable of achieving the layout or the effect through the camera. Arranging and re-arranging and fiddling with the camera buttons seems to create a sterile, out of focus and badly lit jumble. So frustrating and time consuming. I need a photography course. And a design course.

I was at a Christmas market recently and the stalls and tables were so beautifully laid out, inviting me in, enticing, glowing, and making the goodies seem irresistable. I'm sorry to all those people who thought I was going to purchase, as I rushed over - actually I was just looking at your beautiful layouts and how you achieved them. When questioned, generally the reply was ... 'oh I just threw it all together quickly to get set up'. But there is an art, a magic even - I love seeing it and being under its spell, certainly I'm susceptable to its powers.

Do let me have your favourite tips and ideas when you're taking pictures, and I'll see if I can improve before the festivities are over!

The Duke of Edinburgh's Award Scheme

2011-12-15T03:11:00.000-08:00

The Duke of Edinburgh's Award Scheme - gives all young people the chance to develop skills for work and life, fulfil their potential and have a brighter future.

I had sort of forgotten about this Charity, it was something much talked of when I was younger but more something boys did, until recently when I was approached by the parents of Brandon, asking if I would tutor him as part of his Silver award - for the skills section he was keen to do stone carving.

The Duke of Edinburgh's Award Scheme was started in 1956, at that time it was an Award for Boys, chaired by The Duke of Edinburgh. The programmes consisted of four sections, rescue and public service, expeditions, pursuits and projects, and fitness. The Award for Girls was piloted in 1958 consisting of design for living, adventure, interests and service. In 1959 it became a charitable trust.

Brandon making a start on his Fish sculpture

For the last couple of months Brandon has arrived at my workshop each Monday to spend an hour learning stone carving. His interest was sparked by attending a local show, where he had a go at lettercutting, and carved a letter B onto a small square of stone. He was familiar with working with tools having enjoyed wood carving previously, but now wanted to carve in stone.

Initially the profile of the fish is carved through

He started with a relief carving, and chose to depict a treble clef, (he is also musically minded), which he drew capably freehand onto the stone before beginning to carve. This was a wonderful exercise, lots of curves and corners to master and he worked steadily and carefully. He proved to be attentive and intuitive in learning how to handle and use the various chisels and soon had a beautiful carving.

Next the profile, from above is carved through to the base

He has now progressed to a carving in the round, a complete sculpture, which is a fish swimming on a base of river bed pebbles. Ambitious! Again he is working patiently and diligently and beginning to show some real talent. It is so exciting to see his sculpture emerge, and become more real with each section he works on. I can only imagine he is feeling as I do when a creation begins to come to life - excitement, elation, full of nervous energy and pride.

Refinements are made

I am so very much enjoying working with him - each visit he works more confidently, asks when he isn't sure, and expresses clearly his ideas for the sculpture - next time he is bringing some details of how he would like the head and mouth of the fish to be - can't wait. Well done Brandon!

Details are positioned and shaped

Further detailing and proportions established

Rosslyn Chapel - A Treasure in Stone

2011-12-13T00:58:00.000-08:00

Over the weekend I was reminded of a fabulous trip I made a few years ago - I was delivering a Birdbath in Edinburgh and afterwards met my mother who took me to see the amazing Rosslyn Chapel. It was all brought back by the programme on Sunday evening - telling the story of the building and its significance.

I loved that the story was told by the BBC Four's Rosslyn Chapel: A Treasure in Stone with plenty emphasis on the masons and craftsmen who actually did the carving, and research done into who they were and what being a stone carver was at that time.

The Chapel was founded in 1446 by Sir William St Clair and took forty years to complete. Sir William wanted the very best artisans and craftsmen and the masons were responsible for building their own village - a house and land for each carver. His workers were highly valued, master masons earned £40 yearly (equivalent to £50,000 today), and all other masons £10 each year. But there was a lot of work to do. Within the Chapel there is an abundance of sculpture and decoration - carving on carving - a great deal of which is given to plants and animals and the green man image (over 100), it is bursting with plant images and beds of foliage intricately carved onto its ten thousand stones. The exquisite Rosslyn Chapel is a masterpiece in stone.

Of course extracting stone in medieval times was no mean feat, it took dozens of men and many months to excavate from a nearby quarry. Each block would be squared and shaped and then the designs carved - each finished piece matching the next in a masterful flow of twists and scrolls. Throughout there are the 'mason's marks' in the stone, simple shapes carved to signify who was responsible for that particular work, and evidence of completion so they could be paid.

Image from Rosslyn Chapel

This pillar provides one of the most dramatic stories locked into the history of Rosslyn’s carvings. It is said that an apprentice mason carved the pillar in his master’s absence. The master mason had gone to research the original pillar on which this was to be based, before attempting his masterpiece. But when he returned to see that his young apprentice had already carved what he himself had not managed to, he flew into a jealous rage and struck the apprentice over the head, killing him outright.

The faces of the mason, the apprentice, and his grieving mother are carved into the corners of the Chapel opposite the pillar. But the Apprentice Pillar is also significant because of the eight carved dragons winding around its base. In Scandinavian mythology eight dragons live at the roots of the Yggdrasil tree, an ash tree which bound together heaven, earth and hell with its branches.

There is an angel playing pipes, and the most beautiful nativity scene too, which I must show you as we're at Christmas time.

Star of Bethlehem and the Nativity

This hanging boss encompasses the eight-pointed Star of Bethlehem carved with figures of the nativity. Clockwise around its sides are the Virgin and child; the manger; the three wise men; and three shepherds.

Oh, please allow me one more - this is a farmer's wife saving her goose from the jaws of a fox!

Christmas Cactus

2011-12-09T09:44:00.001-08:00

I love these succulent plants, they're quite different in appearance from their desert dwelling cousins, and come from the south eastern coastal mountains of Brazil. They grow on trees or rocks in habitats which are generally shady with high humidity.

Their stems resemble leaf-like pads joined together and flowers appear at the joints and tips of these stems in white, pink, yellow, orange, red or purple. A vivid scarlet is most commonly grown for Christmas time.

I'm trying to grow lots of plants for my small pots and this Cactus is easily propagated by talking short Y-shaped cuttings of the stem tips. If you remove a single segment and plant it a quarter of its length deep in a pot filled with slightly sandy soil, it should begin showing signs of growth after two or three weeks. The pot needs to be in a well lit area and the soil kept moist. I didn't get mine planted soon enough for this year, but I have one or two cacti substitutes.

Feeling Festive

2011-12-07T05:31:00.001-08:00

It is beginning to feel quite festive here in the stone shed - I'm working hard with orders for Christmas presents - some are surprises and rather special individual gifts - it is really lovely to be part of the giving process. Hush, I don't want to give too much away.

To add to the cheer I've been putting up one or two decorations - outside as well as in.

Luckily my stone hanging decorations survive the weather and look amazing when touched with the morning frost. I'm hanging them from the Sycamore tree, and one or two on the Apple. The birds think they're food balls, perching on them and pecking! I love to make the garden feel Christmassy too. Others will stand or hang in the workshop.

Standing Stones

2011-12-04T23:58:00.001-08:00

These are a few more images of local stones - these are my comfort stones, the ones I see daily that reassure and give pleasure - I greet them and wonder about them.

They are strong stones. These two are close-by on opposite sides of the road, the holed one reminds me of the Men-an-Tol stone circle in Cornwall.

Only because of the hole, and of course it is a standing stone! There were many traditional rituals at the Men-an-Tol, distinguished by its strangely pierced central stone (the name means stone with a hole in Cornish). Holed stones are found in many parts of the British Isles as well as in other countries of the world; together with holy wells they have retained the ideas and customs associated with them more tenaciously than any other type of ancient sites.

Image from Stones of England

Traditional rituals at Mên-an-Tol (centuries ago known also as Devil's Eye) involved passing naked children three times through the holed stone and then drawing them along the grass three times in an easterly direction. This was thought to cure scrofula (a form of tuberculosis) and rickets. Adults seeking relief from rheumatism, spine troubles or ague were advised to crawl through the hole nine times against the sun. The holed stone also had prophetic qualities.

Perhaps my local stone is not a Devil's Eye, or at least if it is, not many youngsters have been squeezed through and perhaps other cures were used for rheumatism!

Small Stone Birds

2011-12-01T23:24:00.001-08:00

These little birds are perching and nesting on the edge of a block of stone. They were fascinating to carve, as the piece of stone they are worked in was brought to me by the customer, a beautiful old, weathered and mossy crag of a lump - an unknown quantity. I couldn't tell what the stone was like 'inside', how it would work, or whether indeed it would respond to carving.

It revealed lots of surprises! Sections were pale yellow and buff coloured and easy to work, whilst others were flinty or running into hollows and shale - then it also revealed some lovely swirly dark grey colouring, which makes the birds look feathered and patterned. Quite an adventure. I think the irregularities in the stone give the birds an ancient, weathered and almost primitive look, which I love.

Howsham Mill Courses

2011-11-30T00:52:00.001-08:00

On a tiny island in the River Derwent at Howsham, North Yorkshire, stands a Georgian watermill. Howsham Mill dates back to c.1755 and is attributed to John Carr of York, more famous for designing Fairfax House in York, and an extension to Castle Howard stables. In 1965, a Royal Commission for Historic Monuments inspector, James Williams, described the Mill as "...a building of the maximum historical interest as a very early example of gothic Revival style…" and "...of great architectural interest as it is a very rare example of the gothic Revival style as applied to a functional building. (I cannot find reference to a similar example, eg watermill)…".

Artists impression of what the restored mill will look like

The mill was built both as a working grist mill, to grind grains into flour, and as an 'eyecatcher' or folly within the formal parkscape of nearby Howsham Hall. The mill was powered by a breastshot waterwheel connected by a gear wheel to millstones, that grind the grain into flour. Milling of flour ceased in 1947 and the building fell into decay by the 1960's.

Howsham Mill repair

A huge restoration project is underway, with a busy schedule of events at the mill. They are now generating their own hydro-powered electricity and run courses - clay creations, green wood bench making, willow sculpture, wild food cooking and bush craft.

Howsham Mill awaiting tlc

I have been asked to do a stone course with them - so will be getting a large block of stone onto the Island (not sure how yet!) for everyone to have a go at carving and make into a sculpture for the site, and also tutor a letter-cutting course where participants will learn how to carve letters in stone and take away their own stone inscription.

What a location - all that beautiful stonework - I might be trying a bit of gothic styling myself.

Stone Compass

2011-11-28T00:30:00.001-08:00

Some while ago a large block of stone was delivered to my workshop, so that I could carve a compass into the top surface. Initially I had thought to incise the compass design, but when the stone arrived, the surface was heavily marked, scraped by quarry machinery, chipped and uneven, so my carving would not have shown up well and the finished compass would look rather scruffy.

So I decided to do part incised and part relief - so I marked the compass shape onto the stone and then cut the background away - taking most of the unsightly marks away too. This meant that the shape stood proud of the surface and for a little contrast, I thought the North, South, East and West could be cut in, as incised lettering.

The stone is going to a beautiful site, on top of the Howardian Hills, between the villages of Brandsby and Dalby. It will be situated next to a turf maze, known as 'City of Troy', or the Skewsby maze due to its proximity to that village. The maze is of classical design and measures 26 by 22 feet, making it the smallest turf maze in Europe. There is a bench there too, so you can sit and take in the spectacular all round views.

Quite a location! And now you can tell which way you are looking, or which way is home.

Ryedale ArtWorks

2011-11-24T23:54:00.001-08:00

Ryedale ArtWorks is the new name for my local Art Group. It was all made official last night, with a launch party - food galore, cakes, balloons, games, laughter! It is a group which has been running for a little while, Chaired and largely organised by Yvette Turnbull the Creative Economy Officer for Ryedale District Council. We are so lucky with our Arts Officer - she is a marvel and a real live support system for all artists in the area.

So, over the last five years we have been meeting in all sorts of spaces, on hillsides, in studios and galleries and in people's homes, and we have discussed all sorts of topics from artist residencies to marketing, from rural business development to making relationships with galleries. Now we have become a constitued organisation - creating a members led group with fresh and exciting plans, with the beginnings of a website Ryedale ArtWorks.com.

It is very motivating and inspiring to meet other creative practitioners, to discuss ideas and projects, support one another, pool resources and just learn about the painting, drawing, printing, sculpture, glass, textiles, paper and wood that are the creative output of artist friends locally.

We're on the map! There is a strong visual arts community in Ryedale and with Yvette as our first cheerleader, supporting our progress and development, we'll go far.

Is anyone part of an art group, I would love to hear about how yours works - perhaps we can link or collaborate in some way.

More Beautiful Little Stones

2011-11-23T23:21:00.001-08:00

I seem to be touched by small stones, well actually pebbles, just at the moment. Look at this wonderful use for a little collection of beautiful water rounded stones. How preciously imbued and carefully congregated they are, and how much solid integrity they lend. Heavenly!

Journal by Margo Klass

They're decorating the front of an artists book by Margo Klass featured on Journals and Inspiring Quotations from Art Propelled - this post inspired me to action with all my 'scribblings on pieces of paper'. It is a delightful read and has filled my thoughts all week. There are some other beautiful books (and thoughts) there too.

I want to hold near, clasp and hug these books!

Artists Book by Margo Klass

Misty Mornings

2011-11-22T00:11:00.001-08:00

I'm rather enjoying the misty mornings - though for some it seems to have caused major travel problems - especially when the sun breaks through, as it has been doing, and begins to clear the view. Actually I have never really understood the difference between fog and mist. Mist - water-vapour in drops smaller than rain. Fog - vapour suspended at or near earth's surface. (Courtesy Pocket Oxford).

Then there is the magic effect when it has been a cold night, followed by an early sunny morning and the earth 'steams', plumes of soft swirling smokeyness, rising upwards in whisps and disappearing, evaporating out of sight. And how the sun plays through it in shafts, bright beams in the soft white.

Is that fog or mist?

Stone Carving Courses

2011-11-17T23:58:00.001-08:00

I'm very pleased to be running courses again in 2012, as we had such success this year with some amazing pieces carved by complete beginners, and some keen carvers came back for a second go, improving with astonishing results. We've just finished organising some dates for you - for the Spring a two day Stone Carving workshop on 28th and 29th April, 2012, a three day summer course in May, alongside a Letter Cutting Course and further days at the end of September. Hopefully one of these will fit with your schedules. Stone Carving Courses - Diary Dates and details.

I hold the courses at The Dutch House in Crayke, which is a beautiful venue with inspiring backdrop. They have an ecological sculpture garden on site, which is now beginning to mature - full of wildlife and insects - so if your arms begin to ache, you can take five minutes in beautiful peace and quiet! Lunches are served in the little cafe there, or outside in the cafe courtyard where we all sit together in excited chat, proudly discussing progress, stone sculpture and carving techniques. I'm on hand throughout, guiding and giving one-to-one practical tutoring. Really looking forward it!

All the workbenches, tools and stone are provided for the duration of the course, so just you, in sensible clothes (it is dusty!) and shoes required.

Carved Stone Animal Heads

2011-11-16T06:37:00.001-08:00

Last week in Stone Speaks I promised to show you some more of the stones locally which I find special, interesting and inspiring.

Here are a pair of real beauties - two carved stone animal heads - dog like creatures, one looking wild and guarding, the other a happy, amused, smiley face. Behind the heads are carved leaves, curling away like they do on a green man image - these are just green dogs instead!

Carved Stone Animal Head - Lastingham Grange

These two heads are built into a wall at the famous Lastingham Grange Hotel in the village. I say famous as whenever I meet anyone and they discover I live in Lastingham, they immediately say 'oh I've been there - to the The Grange' - it has an outstanding reputation for fine dining and impeccable service.

I recommend it, and these gargoyle-esque stone heads are a real bonus. Just look how neat and characterful the carved features are, cut from the stone with huge flourish and style, each with with its own distinct personality. I salute the sculptor!

Festive Windows

2011-11-15T05:15:00.001-08:00

All the big stores are now unveiling their wondrous Christmas Windows amidst much celebration - here is a behind the scenes clip of the making of the famous festive window by Liberty, based on the 12 days of Christmas.

It made me think about what I would do, if I had a shop window, to show all my work in a spectacular festive way! I am going to see if I can create one - my blog is quite the best 'window' I could have, so I'm to work with ideas for my display which I will reveal as soon as I can. Will anyone join me and make a Christmas Window too, I'll link all the displays and we can share our visual merchandising skills!

Beautiful Little Stones

2011-11-12T02:33:00.001-08:00

Whenever I go to the beach, or anywhere where there are pebbles, they call me to pick them up. Some just prove irresistable. All of them are smooth, worn and rounded, beautiful to hold, calming - just lovely shapes that fit in the hand. They become tokens of the time, sacred, full of memories. If they could be made more special, then Natasha Newton at The Blackbird Sings manages this with finesse.

Image Natasha Newton

What heavenly little stones. Impeccable artistry. More of her creations are worth seeing on her website Natasha Newton.

Plant Tags

2011-11-10T11:08:00.000-08:00

My vegetable garden has been tidied today, there was a lot of brown, which is now composting. There are just a few tomato plants which continue to produce, which I crop most days. Also still really beautiful is my herb bed, with parsley thick and abundant and I'm getting the odd strawberry too.

I'm drawing up my plans for next year, with extra beds and just so I don't forget what I have planted where, I've made these special Plant Labels. These Plant Tags will be useful to name the beds, but actually could be used to name, or say anything you like. I've made three designs which can have an inscripton carved on the front, making a rather smart hanging tag.

Plant Labels - Made in Stone range by Jennifer Tetlow

One plant label for Herbs, another for Beans ... but they can be lettered with wording of your choice. Carved in my usual sandstone, so perfect for outdoors and garden organising.

Stone Speaks

2011-11-09T00:21:00.000-08:00

Not just because of the words cut into it, but just as loudly of skill, endeavour and encouragement. I do find looking at other carved stone very encouraging - I imagine the maker, chisel in hand, cutting, shaping, expertly sculpting - I create a story of his character, who he was and what he was thinking at the time. I feel I understand his desire to make the stone his own, to carve it beautifully. Stone has this pull and it satisfies deeply.

On my travels I notice stone, and wonder how and why and love to see how the carving was done. Actually I am very lucky here at home, so I thought I would show you some of the stones 'on my doorstep', the stones I see every day, on the way to the workshop, the post box or close-by in the village, which make me happy.

The first is a beautiful and unusual lintel, over one of the doors of our house - The Hap of a Life Good or Ill the Choyce of a Wife.

It makes me smile, and I've seen many a passer-by looking and wondering. More beauties to follow.

Power of Making - the importance of being skilled

2011-11-07T04:36:00.000-08:00

The Power of Making is the second Victoria and Albert Museum and Crafts Council triennial exhibition - it has been about increasing the awareness of, and challenging preconceptions around craft and craftsmanship. The Power of Making is a celebration of the empowering nature of making and the human instinct to create. I'm enjoying the catalogue, there is a wonderful forward by Rosy Greenlees of the Crafts Council and Mark Jones, Director of the V&A -

'The International scope of the Power of Making highlights how the impulse to make things with our hands is universal. The action of making, and the outcome of a crafted object, connects cultures, communities and generations. Handmade objects have a story. They have been touched, manipulated, hammered, thrown, blown, carved by another human hand. They connect us to ur past and to our familial and cultural histories. They are the objects that we see in the public collections of the V&A and the Crafts Council - recording, as elegantly as verbal and written accounts, the histories of cultures and peoples'.

I was so pleased to see stone featured in the exhibition - actually a dry stone wall - start with the most affable stone, all the ones laid after chosen for the stones found before. These words are clever and I can relate to them. And carving too - I love this - when you are down to the last inch, and you think you are running out of possibilities, sharpen your eye

Alphabet - Dalton Ghetti (photo by Sloan T. Howard Photography)

Power of Making is an exhibition about the breadth and depth of craft’s presence in modern life. The featured objects have been selected to highlight both age-old skills and contemporary techniques, from traditional stone walls to machines that can make other machines. Each exhibit demonstrates refined craftsmanship, meticulous control or ingenious application.

It seems to me that this exhibition does 'officially' on a large scale just what I experience reading everyone's blogs, there are so many makers who's blogs I relish visiting - I have the same sort of tour of exquisitely made objects and the love and compelling creative stories behind them.

If you can't manage to get to this brilliant exhibition, which continues until January 2nd, 2012 at the V&A Museum - just visit a few makers' blogs!

Moss Garden

2011-10-31T08:15:00.000-07:00

This time of year we all know is breathtaking for the riot of colour, of trees changing into the rich tones of Autumn. But I've been noticing more the green, bright, almost glowing green of beautiful mosses - close up just like little forests and landscapes in themselves. Dappled sunlight catching the mounds and bumps of cushion soft green, dew quenched hillocks of feathery frond beauty made brilliant.

Mosses are primarily found growing in lightly shaded areas and thrive in moist, average soil. They grow slowly and live a long time. Like ferns, mosses grow from spores. The spores develop green threadlike branches, rather than roots, which push into a surface and then develop tiny flat leaves. Thousands of these plants bunch together to make a single patch of moss. Mosses obtain all their nutrients from the air, rather than soil, which is why they so love growing on stone.

So, I've been making some little moss gardens - there are many hundreds of types of moss to choose from. Apart from vibrant green there are yellow, brown and even white varieties.

Of course the Japanese have for centuries been growing moss gardens and from a religous perspective, moss gardens have been thought to elicit a calm, contemplative state of mind.

Actually they are quite easy to grow - you can transplant moss mat into a firmed soil bed, moisten both soil and moss, pack the soil tightly round and beneath it. Keep watering well for the first three weeks at least. Once the moss garden is thriving it will generally only require occasional misting with water or if particularly dry. They can be kept indoors too.

Once established you can propogate moss by taking a clump and crumbling into a blender with two cups of buttermilk and two of water. Blend on low speed until completely mixed. This can then be spread over any surface where you would like your moss to grow - horizontal and vertical surfaces become clothed in a velvety mass.

I've made a few stone plant pots which are now filled with moss, which seems very happy in this environment and they make a beautiful little garden, inside or out, and remain green and bright year round. I'm looking out for small red peat moss and white toothed peat moss, small flat, lanky, and bent leaf moss to add to the mix.

English Heritage - Tour de Force

2011-10-28T00:39:00.000-07:00

On Wednesday I went on a tour of the archaeological artefacts in the English Heritage collection in Helmsley. They opened the doors on their vast warehouse, just packed full of stone fragments and carvings, but also pottery, ceramics, glass.

The magic is that the staff conducting the tour were those who had dug and collected the items and who had done the research and were so knowledgeable about each and every piece. I learned such a lot, not only about the actual stone fragments, but also about the history of the time and the location. I've come away with so many notes to follow up, and things I want to know.

I was over-awed by the racks, floor to ceiling, in row after row, each filled with pallets of ancient stone. Examples of 5th Century heads, Roman mother Godesses, exquisitely and intricately carved roof bosses, which now were seen close-to, panels telling tales of valour, religion, folk-lore and creation. All these stone carvings revealing the stories of local Abbeys, Monasteries and Castles, about their architecture and the beliefs of the time.

Our two guides were tremendous, what a fascinating and enjoyable morning!

Unfortunately I am not allowed to show pictures of the pieces, but these images (from English Heritage) illustrate workers in 1921 at the local Rievaulx Abbey, digging for fragments, and the beautiful stone ruins.

Rhymer's Stone

2011-10-26T05:43:00.000-07:00

Another stop on my recent journey was Rhymer's Stone. Thomas the Rhymer, lived from 1220 to 1298. He was a Scottish laird with a reputation for prophesy and supernatural powers.

Image thanks to Scottish Walks

The Rhymer's Stone was erected in 1929 by the Melrose Literary Society and marks the spot on which the fabled Eildon Tree once grew. It was under this tree that Thomas the Rhymer took a fateful nap while hunting on the estate of Melrose Abbey. He was awakened by the Queen of Elfland, who he kissed. He then spent seven years with her in the Land of the Elves before returning to his home in Earlston for seven years, then disappearing for good - presumably back to the Land of the Elves.

The Queen of the Elves gave him an apple, proclaiming that it would give him a tongue that would never lie. From that time he was known as 'True Thomas' and made prophesies which came true, notably of the death of King Alexander III. Thomas predicted it on a stormy night, 18th March 1226, the night before the King died.

Of more immediate relevance to the Rhymer's Stone was his prediction that a bridge over the River Tweed, which runs through the valley to the north, would one day be visible from the Eildon Tree. In 1865 the impressive Leaderfoot Viaduct opened, carrying the Berwickshire Railway over the River Tweed. The viaduct comprises 19 spans, and carried the railway at a height of 126ft above the river. Because of its height the viaduct can be seen from the viewpoint close to the Rhymer's Stone - apparently provingthe prediction correct.

It is a beautiful spot, and I would have stayed longer, but for the midges - as large as life and biting bigger!

PS: I didn't know what an Eildon Tree was - but I learn it is a sacred hawthorne in the hills of Ercildoun, where Thomas was said to hail from. And the hawthorn is also sometimes known as the fairy bush, for the fey folk are said to inhabit its branches and are its guardians. Sprigs of hawthorn and its flowers used to be gathered to serve as protection from evil (thanks Stephanie).

Bridge over the River Teviot

2011-10-24T03:13:00.000-07:00

On Saturday I drove up to Melrose in the borders. It is quite a long journey, but made longer as I kept slowing down to look at the beautiful landscape and places of interest along the way. I noted a number of sites I wanted to explore on the way back.

Just a few yards from the road is Old Ancrum Bridge - it spans the River Teviot close to Jedburgh. Perhaps it was the old packhorse route, now by-passed by a wider, faster road and new bridge.

It is a beautiful stone construction of 1782, from the local red sandstone. I walked over it and stood watching the river. There are little pull-in shapes about half way along, with small 'windows' showing beautiful views up, or down, river. These refuges are formed by the shape of the pillars of the bridge, where the cutwaters are carried up to create a small angular bay which is wider than the roadway. Little places where those on foot could escape the rush of horses and carriages. At each end the bridge has handsome spires, great stone cones welcoming you across. The river beneath flows fast and deep, slapping and gurgling on its journey. I thought of the power of the water, and the steadfast, solid strength of the stone bridge.

Just a short distance ahead was the impressive Jedburgh Abbey, founded in 1138 and a frequent target for invading border armies. The Autumn colours and golden sunlight cast the ruins in spectacular relief - many strong stone arches and a stunning rose window. Ornate stone carving reaching to the sky and decorating every block and face in grand architectural harmony. I need to go back.

I had also seen a circle of stones, in the middle of a field - rather henge looking, but not huge. It was too dark by the time I got back to the spot, and I couldn't find them - cars behind flashing lights and beeping in frustration! It will have to wait for another trip - or if you have seen them or know what they are, please let me know - off the A68 somewhere south of Jedburgh!?

Perhaps I don't need a concise road atlas of Britain, but a Britain by beautiful stone structures and objects atlas.

Working in Candlelight

2011-10-21T00:33:00.000-07:00

Candlelight is so flattering - warm, soft, glowing. I light candles in the workshop for this very light - it makes stone look beautiful, casting the softest of shadows, yet picking up a real stoniness. It helps with carving sometimes, in showing the way for a curve or in judging how far to undercut. I walk around the carving, raising and lowering the candle, making the stone dance and come alive.

How beautifully comforting and cosy candles are too, in creating a wondrous atmosphere - particularly on these dark, frosty evenings. So, I really had to make some candlesticks in stone, and I've added these ones to my Made in Stone range. Hope you like them.

Breakdown

2011-10-19T02:38:00.000-07:00

And it may be mental!

At this time of year I am invariably brought to a halt, by a flat tyre - not a big dramatic blow-out, just a disheartening slow puncture. All the same requiring a wheel change, usually in wind and rain! This is either an amazing coincidence, or down to the cutting of the hedges - they look super smart and tidy, but leave the 'choppings' as potential tyre breakers.

I am amazed how tough and spikey a hawthorne prickle can be, but it penetrates the rubber and damages the inner-tube, even weeks after cutting.

Image from Nic's blog at Nip it in the bud who makes a wonderful saucy haw ketchup

However, on this occasion I have a confession - it is nothing to do with a flat tyre, but my vehicle spluttered to a halt, the engine choking, foul smelling exhaust in white plumes behind me and no power at the pedal. It felt like the engine had blown up.

In panic I contacted the garage, and later that day went to see them, limping and jerking along accompanied by horrible clanking and grinding under the bonnet. Checks were made, scratches of heads, questions, connections secured, engine turned, engine off, and then I mentioned that the problem had occured almost immediately after filling up at the local garage - could the fuel be contaminated? The filler cap came off, noses to the tank and then 'You filled up with petrol didn't you?' A moment of numbness, I couldn't have, no, I've never done it, don't be silly. An easy check - my fuel receipt - and there in black and white - confirmation of my stupidity - 'fuel - unleaded'!!!! It should have been diesel!

I'm just hoping that this confession, normally I would not have owned to it, or ever mentioned it, will help my poor vehicle forgive the idiocy and not be damaged inside too much.

Animal Sculpture

2011-10-17T03:45:00.000-07:00

When I'm selecting stone, preparing ideas, carving and working on an animal sculpture, my main aim is to get some likeness, liveliness and 'spirit' of the subject. In the end it may not be created looking exactly as it does in nature, but will be characterised, and imbued with my very particular way of looking at nature.

Sometimes my mind is full of creatures and animals that don't exist, so they are entirely of my own making and imagination, drawn from all I have seen and experienced, with 'made up' parts. I suppose this must be how the sculptor Waterhouse Hawkins worked (he is the sculptor I mentioned in my previous post) when working on his dinosaurs. At that time, of course, natural historians did not have a full picture of exactly what the early life on earth looked like. Fossils of bones had been found, but a great deal was assumed.

Illustration by John V. Lord from the book Dinosaurs Don't Die

I have a really delightful book, Dinosaurs Don't Die by Ann Coates. I was given it when aged ten, for Christmas, as Ann Coates is my Godmother.

It is a wonderful tale about a boy called Daniel who loved to go and visit the vast models of dinosaurs which stand by the lake near Crystal Palace Park. His special favourite was the huge Iguanodon.

One night, woken by a huge splash, Daniel discovers the Iguanodon swimming about in the lake. To his distress, Daniel finds that the dinosaur is a sad creature, very bored with being stared at by curious visitors, and the boy is only too pleased to befriend the monster and help to cheer him up. Daniel christens the Iguanodon 'Rock' and goes to see him at night, entertaining him with tales of his ancestors, of whom Rock is extremely proud. Daniel soon discovers that Rock's single ambition is to see one of his ancestors so that he can find out whether or not he has been made correctly. When Daniel tells him that a dinosaur's skeleton is on show at the Natural History Museum, Rock won't be satisfied until he has seen it. The story covers how Daniel helps Rock fulfil his ambition.

Illustration by John V. Lord from the book Dinosaurs Don't Die

Hawkins' models of the Iguanodon mistakenly portray the large thumb spike as a nose horn; also, the dinosaurs are shown as quadrupeds rather than bipeds.

Frogs

2011-10-13T10:36:00.000-07:00

Out of the corner of my eye I saw something moving on the kitchen floor, as I bent down to investigate, it leapt away. A huge bound. I was startled, it was only about an inch in length, and it jumped over a metre. I did catch up with the frog and put him back in the garden. On some of the evenings recently that have been wet and mild, the lanes have been littered with frogs, they look like blowing, fallen leaves at first, then you realise, and there have been lots, leaping and glistening in the wet. One evening I had to drive home in zig-zags to avoid them, and get out every few feet to usher them into the verge.

I'm fond of frogs, and toads - in fact one of the first things I carved in stone was a frog. I had visited Biddulph Grange Garden in Staffordshire and fallen in love with the frog there. How could you not!

The stone frog is to be found in the part of the garden known as China, and is the work of Waterhouse Hawkins, the sculptor of the prehistoric animals in the park of the Crystal Palace at Sydenham.

Hawkins (1807 - 1894) was a British sculptor and natural history artist.

In 1852 he was appointed by the Crystal Palace company to create 33 life-size concrete models of extinct dinosaurs to be placed in the park to which the great glass exhibition hall was to be relocated. In this work, which took some three years, he collaborated with Sir Richard Owen and other leading scientific figures of the time – Owen estimated the size and overall shape of the animals, leaving Hawkins to sculpt models. Some of the sculptures are still on display at Sydenham Crystal Palace Park.

Just look at his workshop at the time. Full of models of extinct animals.

And here is the little frog I carved.

Nightjar Success Story

2011-10-11T03:51:00.000-07:00

What good news - this bird was released back into the wild thanks to the good care and rehabilitation given by Jean Thorpe. If you remember, this bird was brought into her, having become exhausted during its migratory flight, and landed on a freighter in the middle of the North Sea.

Aren't they amazing birds - what beautiful feather colouring, the grey-brown, mottled, streaked and barred plumage provides ideal camouflage in the daytime, when they stay motionless on the ground, looking like dead leaves or tree bark.

Nightjars are nocturnal birds and can be seen hawking for food at dusk and dawn. They eat insects, moths and beetles. They have large eyes and a huge gape, surrounded by “whiskers” so are well adapted for catching their prey.

With pointed wings and a long tail, their shape is similar to a kestrel or cuckoo. They have an almost supernatural reputation with their silent flight and their mythical ability to steal milk from goats. The first indication that a nightjar is near is usually the male's churring song, rising and falling in a long call ('nightjar' means night-churr).

I've spent evenings out watching nightjars and it is a magical bird to see and experience. Another sound they make is a slapping or hand-clapping noise, caused as the birds clap their wings in flight. They also have a strange middle claw, with serrations on it, which act like a comb for preening their feathers.

Here is a collagraph print I made of a Nightjar hidden on the forest floor.

Collagraph print of Nightjar by Jennifer Tetlow

Handmade in Britain

2011-10-10T08:18:00.000-07:00

What a partnership! I'm tuning into this. The V&A and BBC Four present Handmade in Britain, an ambitious year-long season exploring the history of British decorative arts.

The season begins with a three-part series on British ceramics. From the history of domestic pottery to the heart of Britain’s ceramic empire in Stoke-on-Trent to the studio potters of the 20th and 21st centuries, Ceramics: A Fragile History reveals why, throughout the nation’s history, makers have created objects that are beautiful as well as functional.

The V&A will run films alongside the programme, which will draw heavily on their collection and expertise.

Masterpieces of Ceramics Through the Ages - Chines Tomb Dog

Already I want to get a lump of clay to squidge and shape - though usually I do more squidging than anything when I work with clay!

Betty's Brunch

2011-10-05T09:18:00.000-07:00

A very good customer of mine, Jill Atkinson, came this morning to pick up a Birdbath that I had made for her, she had driven from Harrogate on one of her rare times away from her busy work schedule running two beautiful shops by the name The Olive Branch. One of the shops is in the village of Addingham, near Ilkley in Yorkshire and the second was opened in Easingwold on the edge of the Hambleton Hills. Both of the shops have a lovely history, but I'll let her tell you the stories at The Olive Branch, or pop in to see her if you're in the area.

Anyway, Jill came bearing gifts in a lovely brown bag.

And the bag had in it beautifully wrapped goodies.

A special bag for a huge Fat Rascal and a box with bow for cream cakes.

Outside the wind blows fallen leaves and dust around and I'm cosy in my workshed with tea and special, scrumptuous edibles from Betty's in Harrogate. What a luxury brunch!

Betty's is such an institution - a 'must go to' venue when in Harrogate and I remember being taken there as a child by my mother and staring into the large glass display counter at chocolate and fine baking and being asked to hurry up in my choice of cake.

What a lovely surprise, and what a treat to have Betty's brought to me - thankyou Jill - hope you got home safely with your stone cargo.

Coldstones Cut

2011-10-03T02:13:00.000-07:00

Coldstones Cut in Nidderdale is a huge sculpture on the edge of Coldstones Quarry. It is the latest work by Andrew Sabin and has received the Marsh Award for excellence in public sculpture for 2011. This award is administered by the PMSA (Public Monuments and Sculpture Association), whose work aims to heighten public appreciation of Britain's public sculpture, and to contribute to its preservation, protection and promotion.

Image Paul Harris from Andrew Sabin

Coldstones Quarry is said to be the highest quarry in England and situated close to the village of Greenhow, on the edge of Nidderdale in Yorkshire. The Cut is a site-specific construction, formed of quarried limestone blocks creating a viewing platform over the quarry excavations and further, far further over the landscape.

Image Paul Harris from Andrew Sabin

Such impressive stoneyness! Although this is the largest public sculpture in Yorkshire, and is huge - it seems as a small mark on the edge of the vast quarry workings!

Image Paul Harris from Andrew Sabin

Hurricane Lantern

2011-09-29T23:46:00.000-07:00

I'm adding a few new items to my little 'made in stone' range for Autumn - Winter. This stone Hurricane Lantern candle holder is something I've wanted to make for ages - I've loved the look of some lanterns I've seen but just thought they should be made in stone. So here we are, made in my favourite Yorkstone and I think looking rather elegant. Candles are lovely anytime, but as the nights draw in they create a special glow for early evening - either sitting in the garden, or brought indoors.

Stone Hurricane Lantern by Jennifer Tetlow

I've used my Hurricane Lantern this week, sitting out in the garden until late after the so hot days, enjoying watching the sun go down and the cooling darkness descend - candle flickering and moths fluttering.

Britain's Marble Quarries

2011-09-27T03:15:00.000-07:00

I've had such an exciting morning - discovering the wonderful Britannicus Stone. This company has gained exclusive rights to a number of small scale quarries, extracting what they describe as 'Shining Stones' - these are the 'lost' British Marbles.

When Orlando Boyne (the Production Manager at Britannicus Stone) started to investigate the history of Britain’s Limestone quarries he uncovered a fascinating and forgotten architectural heritage dating back to Roman times, and unearthed a precious crop of native ‘Marble’. To my delight, a number of these quarries are in North Yorkshire and I have arranged for some samples to chisel at. Some of the stones are very rare - only small seams remain, or even ever existed

Eskett Red - image courtesy Britannicus Stone

Available will be Hopton Old White, a stone used by Eric Gill for many of his carvings; Swaledale Fossil used in Durham Cathedral and York Minster, and another I am very keen to try is Eskett Red, a stone never seen before polished and rare. How exciting - and thrilling to find others as emotional about stone as I am - listen -

“Standing on the high fell in the clouds and driving rain,
we realised just how passionate we are about the Stones
and the incredible lengths to which we will go to find them”
Orlando Boyne

Wuthering Heights Re-make

2011-09-25T02:06:00.000-07:00

A little while ago I mentioned about some lettering in stone I was working on - this was for a film company doing a re-make of Wuthering Heights, directed by Andrea Arnold, based on the book by Emily Bronte.

Last week I had the Yorkshire Post photographer Gerard Binks in my workshop taking pictures for an article and feature they are running about the launch of the film on 30th September.

I can't wait for the film to come out so I can look out for my contribution - and perhaps I'll be listed on the credits!

Tawny Owl

2011-09-23T01:59:00.000-07:00

On the lane out of the village I rescued a Tawny Owl - it was wet with ruffled and damaged feathers, one wing twisted and drooped, eye-lids shut. It allowed me to pick it up without a flinch and I popped it in a basket. It was a young bird, possibly hit by a car. I knew the best thing was to take it to Jean Thorpe, a local lady who is the Ryedale Wildlife Rehabilitation expert. I left the owl with her.

When I 'phoned the next day to see how things were, she told me that the injuries were so bad that she felt the best thing was to put the owl to sleep.

Oh. I have felt very sad about it.

Jean's work is amazing, she told me about the newest bird to be brought to her, a Nightjar, which had begun its migration and obviously become ill, injured or weak and had landed on a fishing boat, which when arriving at shore, still had the bird on board. The crew then contacted Jean who took the bird in.

Hopefully this will be a successful release story.

Swallows Swirling

2011-09-19T10:52:00.000-07:00

What beautiful displays above - the sky is full of swooping and chirping, circling and diving. My young ones are on the wing much longer and are absent from the shed all day, and some evenings too.

This year I bought and put up one of the man-made swallow nest boxes, in the hope of attracting more swallow 'couples'. Although they were not used as the main nest, adult birds did perch on the edges and when the latest brood's nest collapsed (a side edge broke away), all the young found their way to the new nest and adopted it.

I love this peom from the short story What the Swallows Did, by Louisa May Alcott - and have myself called my goodbyes, and wishes for safe journeys.

Swallow, swallow, neighbour swallow,
Starting on your autumn flight,
Pause a moment at my window,

Twitter softly your good-night;
For the summer days are over,
All your duties are well done,
And the happy homes you builded
Have grown empty, one by one.

Swallow, swallow, neighbour swallow,
Are you ready for your flight?
Are all the feather cloaks completed?
Are the little caps all right?
Are the young wings strong and steady
For the journey through the sky?
Come again in early spring-time;
And till then, good-by, good-by!

Autumn Planter

2011-09-17T07:46:00.000-07:00

Such winds and rain - seasonal changes - signs of Autumn. I'm collecting them up, conkers, beech nuts, rose-hips, curling leaves - for window ledges and bowls of beautiful colour.

Classic Urn in Sandstone

Birds at the Workshop

2011-08-29T00:14:00.000-07:00

While getting ready for my exhibition I was watched by one of the pigeon fledglings, who instead of flying free in the big-wide-world, came straight into my workshop, and despite gentle persuasion, remained perched amid the dust and noise.

Eventually yesterday, after the torrential rain the day before, he hopped out through the door and was away. I felt rather proud.

The swallows are more of a concern - I have a small nest of four newly hatched swallows, another second brood, and I just wonder if it is a little late - already swallows are collecting here on the wires and gathering in the evening in swirling shows of acrobatic finesse. I think of the great journey they will shortly make, and if the little ones will be old and strong enough. At least there are many insects, so they should grow fast and the swallow parents probably know perfectly well what they are doing, so I shouldn't worry, but I do.

A seven-spot ladybird (Coccinella septempunctata) strutting its stuff. Photograph: Martin Ruegner/Getty

I hear it has been a good year for ladybirds, presumably because it has been a good year for aphids, my ladybird numbers here verify this! I cannot remember ever seeing so many. I must learn how to identify and check to see if it is the invasive harlequin ladybird. They are of course on the menu for swallows. At the Guardian Gardening Blog they have an identification and survey link and you can report unusual ladybird sightings.

A Sense of Place

2011-08-25T00:08:00.000-07:00

Yesterday was spent setting up my exhibition at the Inspired By .. Gallery in Danby, at the Moors National Park Centre. What a beautiful day too - to get to Danby from my workshop there is a drive over the moors, on a wiggly, undulating road and the views are magnificent. Over the last week the heather has really come out, a great rolling purple blanket - lit brilliantly to violet by shards of sunlight as the sun streams through the cloud. I nearly drove straight off the road a couple of times, taking in the views.

The exhibition is with three other artists, Gail Hurst, Sue Morton, painters and Jayne Hibell a glass artist. We called it a Sense of Place as we all live in the National Park and the area inspires and motivates our work - a little celebration of the North Yorkshire Moors and Coast.

The day involved hanging and re-hanging, moving plinths and moving again, and shuffling and messing (for hours), and tweaking, until we were set for opening today.

During the set up we had some lovely vistors, who helped with the 'arranging' - one lady who was keen to organise us, turned out to be a gallery owner herself and offered invaluable advice.

We're having a 'Meet the Artists' and Preview on Saturday between 1 pm and 4 pm, with refreshments and I'm hoping everyone loves the layout!

Exhibition - 25th August - 6th September, 2011 10 am - 5 pm daily at the Inspired By.. Gallery, North York Moors National Park Centre, Danby, Whitby YO21 2NB.

Rosedale Show

2011-08-23T01:33:00.000-07:00

On Saturday the Rosedale Show opened on the most glorious weather, and the sun shone all day. Rosedale is the next village down the valley to me and the annual show is run by the Rosedale & District Agricultural, Horticultural and Industrial Society. It is one of the most beautiful settings for a show I have ever seen. Right in the heart of the valley, a little cup with purple heather and grazed green sides, hills and moorland rising up all around.

For the last couple of years I have had a stand there, demonstrating stone carving and have been inundated with visitors wanting to have a go. I was next to a farrier, also demonstrating, with a very patient horse, with the smells and sounds of the blacksmith at his trade. This mixed with the food vans and the vintage tractors burbling away and the sheep, goats and cattle pens and you have the familiar and friendly local show. Oh, and mustn't forget the band - this was their tent (early in the morning when I was setting up and before they had arrived with their playing).

There is a very active History Society in Rosedale and they too had a stand at the show, with fascinating information about Rosedale Abbey and the Dale. No-one is absolutely sure of the derivation of the name Rosedale, but the Viking origins point to Rossi, being a personal name, or the word for horse. The other possible root is the word “rhos”, meaning moor. No rose connections have ever been found!

Rosedale has a history combining early Christian heritage, centuries of farming, and dramatic change. The discovery of unique high-grade magnetic iron ore in the 1850s turned this sleepy backwater into a powerhouse of Victorian industry. For 70 years the valley echoed to the sound of rumbling waggons, steam trains, and the noise, smoke and dust of mining activity. By the 1920s, the Great Depression and the lower cost of imported ore finished the mining in Rosedale. The miners and their families left, and rows of miners’ cottages stood abandoned. Gradually, peace and the forces of nature reclaimed the dale which is once again a place of outstanding beauty. Agriculture once more became the main industry and now tourism is very important in the local economy.

Certainly the visitor numbers to the show were record-breaking! And from those I spoke to, they had a most enjoyable day - as did I.

Marble and Alabaster Sculpture

2011-08-18T05:12:00.000-07:00

During my recent travels, I managed to fit in a visit to Nigel Owen Stone and topped up my stock of Polyphant (Soapstone) and also bravely acquired a few lumps of marble, and alabaster.

I say bravely, as I haven't worked marble or alabaster before, so it is a bit of a leap of faith - into the unknown. Something completely new.

The methods and ways or working these materials are different from the cutting and carving of sandstone, and I am looking forward to getting to grips with the material, seeing how it behaves and experimenting with polished finishes. I feel really excited about my little blocks - the marble is Portugese Rose Marble and you can see the pinky colouring and veining.

Carving in marble of course brings to mind the many famous pieces we know, for example the Pieta by Michelangelo and the Rape of Persephone by Bernini. These sculptures almost defy belief and leave no doubt as to what can be achieved in this material.

But I've also been looking at some contemporary sculptors who have chosen to use marble, and am excited by their work. Mel Fraser carves very beautiful pieces, as this one, called Serendipity, in Carrara marble.

And Wings of Desire.

Also inspiring is Louise Plant and her sculpture, this piece Caesura is very expressive.

Golly, it could all be quite daunting - but I have my own ideas for these little blocks I've brought back to the workshop and I'm itching to get sculpting them.

Sculpture by the Lakes

2011-08-16T02:59:00.000-07:00

I've always been a huge admirer of Simon Gudgeon's work and remember being so excited when Isis was unveiled in Hyde Park in 2009.

I don't think I have words better than the description on the Simon Gudgeon Homepage.

'One of Britain’s leading contemporary sculptors, Simon Gudgeon has a signature smooth style that marvellously concentrates spirit and nature. His minimalist, semi-abstract forms depict both movement and emotion of a moment captured with a visual harmony that is unmistakably his own.'

I find his work beautifully sensitive, sculpture which draws my gaze for long periods.

How pleased I was to learn about the new Sculpture by the Lakes. Set in twenty six acres of stunning Dorset countryside and bordered by the tranquil River Frome, Sculpture by the Lakes provides the perfect venue to view and appreciate outdoor sculpture in beautiful surroundings.

It is that combination of art and landscape that inspires Sculpture by the Lakes. Whether it is work on a monumental scale that relates to its environment or smaller works that personlise more intimate areas, each sculpture has been placed to visually enhance its surroundings. This has been achieved to stunning effect by Simon Gudgeon's bronze sculpture, fluid forms with patination giving life in nature's hue.

The aim is to show the importance of outdoor sculpture in the environment and inspire people with the possibilities of what they can achieve in their own gardens.

All in tandem with my recent thoughts about garden sculpture. I have promised myself a treat to visit when my exhibition A Sense of Place is finished in September.

Waterperry Gardens

2011-08-14T01:32:00.000-07:00

Happily weary from my day demonstrating and talking to visitors, one of my evenings at Art in Action was spent in the garden at Waterperry House, exploring and then sitting quietly watching the sun go down.

I'd purchased a loaf made with spelt flour and rye, containing raisins and caraway seeds earlier in the day, and broke off rough chunks to have with my apple and pear for supper whilst sitting in the formal garden and absorbing the glories. This garden has a sculpture at the centre, 'Lamp of Wisdom' by Nathan David, and is made up of traditional box knot, clipped topiary and medicinal herbs. I can't say what beautiful relaxed moments they were - I ate all the delicious bread amidst visual splendour and breathed in the warm fragrant air.

On route to this point I took in the wonders of the waterlily canal, herbaceous border, island beds, roses, alpines and hostas in the shade - all the while coming across sculpture from Chapungu Sculpture Park, Zimbabwe stone sculpture. I felt very well catered for!

I thought of this garden as a backdrop for my sculpture and imagined where certain pieces I have made would go. Sometimes, probably most times, when I'm making a sculpture, in my 'mind's eye' I see the finished piece in a garden.

The garden, sculpture, garden sculpture - I meandered, drawing in the beauty, with big dreams.

Springy Glass

2011-08-13T01:56:00.000-07:00

I'm still enjoying the effects and memories from my wonderful time at Art in Action. One of the demonstrations which amazed me was in the glass marquee. There was a stage, raised up down one side, on which was a glass kiln and also a large drum furnace. Very spectacular.

The glass workers had long metal poles, at the end of one was a 'blob' of glass - this was plunged into the heat and swizzled and held until hot (melty) enough. It was swiftly withdrawn and touched to the end of another long pole laid across a workbench and rolled and spun by another worker. The first glass pole person held the blob at just the right distance from the second pole, to keep the fluidity of the glass and the thickness of coil just right - too close and the coil would be too fat and snap on cooling.

This was repeated, the pole with glass plunged into the fire, brought out, touched to the second pole, glass adhered, pulled out and then coils magically appearing. It was mesmerising. The heat prevented me getting as close as I would have liked.

The little springs slid off the pole. This was clear glass, which, prior to being heated, had been rolled in red glass powder, which gave it this pinky colouring.

I just had to pick it up - and to my incredible surpise, the glass spring, sprung - it worked like a real spring, I squished and bounced it, and the beautiful little glass spiral remained intact and compressed and expanded in my fingers. I came out of the marquee face burning and red with heat, and blinking in wonder.

I'm not sure which of the glass demonstraters I saw, so I'll just mention them all - the glass work was stunning. Anthony Wassell, Heather Konschuh, Charlotte Sale, Liam Reeves, Jeremy Wintrebert, Tim Boswell, Graham Muir, Bruce Marks, Louis Thompson, and Phil Atrill

Talk and Demonstration about Sculpture

2011-08-12T09:01:00.000-07:00

On Wednesday I gave a talk and demonstration about my work. I have found giving talks and demonstrating stone carving such a good discipline and so enjoyable (after the nerves subside) that I try to make it a regular commitment.

On this occasion I was visiting the Whitby Art Society, who were a lovely and very welcoming group. They have regular meetings at Sneaton Castle in Whitby, and it is here that I gave my talk. Driving up towards the Castle and through the arched gateway made for a very grand entrance and it was lovely to be surrounded by so much magnificent stone.

Sneaton Castle Centre is situated in beautiful and extensive grounds adjacent to St Hilda's Priory which is the Mother house of the Order of the Holy Paraclete, an Anglican religious community. The Centre is within walking distance of the heart of the historic and picturesque seaside town of Whitby, affording easy access to some of the most glorious countryside, notably the North Yorkshire Moors and coastline.

The castle itself dates back to the 19th Century and following major refurbishment, the buildings have been transformed into an ideal modern venue for Conferences, Training Events, Seminars, School, College and Youth Trips, Church Weekends, Holidays, Individual Breaks and Group Outings.

St Hilda's connection with Whitby is famous of course, with the Abbey on top of the cliff.

At the church beside the Abbey, St Mary's, there is a wonderful cross, Caedman Cross and in one of the panels is St Hilda herself, a beautiful carving - and what a face she has! And I love the birds at the hem of her robes. You can see something of her determined character, which must have been required in the setting up of her double monastery, for men and women, following a pattern of disciplined life - her Abbey became one of the greatest centres for religion and learning in the North East of England, and in the known world.

My talk covered things on a much smaller scale, such as where my ideas come from and realising them, what motivates creativity, paying attention to emotion and spirit, and transcribing it all into a reality in stone, and the practicalities of doing so.

I wonder if I dare carve a panel of me for eyes in the future - I have to say the idea is rather appealing and I'm thinking about what I might include!

The Best of the Best

2011-08-04T00:15:00.000-07:00

I arrived at Art in Action early evening and with map in hand wandered the marquees, just before everything was closing for the day. There was a large gathering on the lawn in front of the house, lots of chatter, warm sunshine and an excited buzz. It drew me to a huge tent, full of people admiring the works being shown. This was a collection of the best work from the event, and visitors had the chance to vote on which they thought 'the best'. Nearly impossible of course, but a print of a Crow and a Rook got my attention. But there were other beauties.

Metamorphosis Series by Rachel O'Dell

No-one Likes to be in a Cage by Catherine Hyde

Ceramics by Linda Dangoo

Close-by was a sculpture area, which I promised to go back to.

Sculpture by Brendan Hesmondhalgh and David Cooke

I did get the chance to look round - though would have liked much longer. The weather for the event was wonderful, and I explored the very delightful Waterperry gardens in the evening warmth (will share some of its beauty next time). Four days full of care, love, creativity, art, performance, poetry, music - utterly inspiring!

I came home with a Rook and a Crow by Louise Scott. I love her prints and saw how she makes them, with beautiful etched copper plates (works of art in themselves) demonstrating her process. I will treasure these birds.

Demonstration Piece

2011-07-27T12:48:00.000-07:00

I had wondered what to carve for my demonstration piece at Art in Action, but actually in the end the choice was simple - another Hare. I had just finished the Leveret, and was in Hare mode, so it seemed like a natural progression.

I pinned a piece of paper to one of the wooden poles holding up our marquee, and sketched a few hare poses, and with help from visitors chose this one to carve.

I worked in a block of pale coloured limestone from Southern Stone, and because of the colour, this had to be Winter Hare.

It is a soft stone, so perfect for visitors to 'try their hand' and I have to thank two young ladies in particular for helping me rough out this piece, Maisy and Fiona, who at different times came and carved beautifully for me with impressive care and attention for 'first-timers'. Thankyou both.

This is as far as I got, as it was so busy I spent much of my time talking and showing people how to carve and cut letters on their own pieces of stone.

I would like to finish it, once I've caught up back at the workshop, so will let you see the progress in due course.

I'll post separately about the Art in Action event - it was a very special experience and I'm still swooning over all the beautiful things I saw, listened to and encountered!

Art in Action, Waterperry House, Oxford

2011-07-20T22:54:00.000-07:00

Today I'm setting off for Art in Action at Waterperry House in Oxford and I'm thoroughly excited - in effect I'm setting up my workshop there for the next few days, and will be carving a fresh block of stone and showing everyone how I go about creating and carving a sculpture. Also really excited about all the other artists and talented people I will meet, and for the wonderful atmosphere that is created by a gathering of this sort - in fact its unique of its kind I think. Let me know what you think - after watching this, or if you have been before, or if you're going this year.

I will be demonstrating stone carving throughout the event, which runs until Sunday, and I've prepared some boards to illustrate my processes, from initial drawings through to the carving, roughing out, refining and finishing and some details about tools.

More excitement is that I'm going to stop off on the way and collect Soapstone and Alabaster, maybe even some marble from Nigel Owen Stone. This is a stone yard in Yelvertoft in Northants, and one of my very favourite places to go. They supply Polyphant (soapstone) from a Cornish quarry they own, which is the stone I used when carving Otter, and Polar Bear. I know I am going to overspend, but it is such beautiful stone, it is impossible to resist - is my van big enough?

What a perfect trip! Come and see everything that's going on at Art in Action if you can, I'll even let you do a bit of carving!

Badgers

2011-07-20T01:01:00.000-07:00

Whilst at the show, I had the chance to look round, early in the morning before everyone started arriving.

Of course I sought the other exhibitors with stone things, but also visited the Made in Yorkshire marquee and said hello to local potter Elizabeth Bailey, and met the lovely painter Cath Inglis, and a young man making things in stone - John Harris of Yorkshsire Stone who had a beautiful display, with some of the items made in my favourite sculpting stone. Nearby was the Country Living marquee - full of wonders - and the very special Julia Burns, who I had the pleasure of exhibiting with a few years ago, who is now exceedingly busy with her Red Hen Originals which are lovely.

I also came across Limited Editions - Collier Dobson, who were showing a number of sculptors they represent. What immediately caught my eye were the bronzes of Adam Binder, and in particular a Badger. I've seen his work in books, websites, and magazines, but it really moved me to see the real thing. I find his work utterly brilliant, I wanted to scoop this Badger up and take it home! He is profoundly talented.

Foraging Badger by Adam Binder

Badgers of course are in the news currently as Caroline Spelman announces government plans allowing badgers to be shot in a bid to limit the spread of TB in cattle. I'm not sure what the solution is to this longstanding problem, but I feel afraid by these policies and was interested to read the Mammal Society's response.

Back at the Workshop

2011-07-18T09:35:00.000-07:00

How lovely it is - I'm so happy to be back in my workshop, with all familiar tools and stone around me.

The show was so busy, barely a moment to draw breath, a big thankyou to all visitors and all my co-exhibitors. On the last day I spent time listening and watching the demonstration by Richard Keeton - I am in awe. His work is beautiful and he works beautifully. The demonstration was to show the techniques involved in dry point etching and I have never seen a copper plate so carefully and lovingly inked, wiped and printed. He's very inspiring!

Here's one of his paintings, a watercolour, Old Bantams, I think my favourite in the show. I can only apologise to him that I have reproduced it so badly here. If ever you get the chance to see his work, do - it is exciting and powerful and very beautiful.

I've learned a lot from this exhition, about exhibiting, showing work and about being a professional artist - again thanks to you all for welcoming me and being so open and giving of time and expertise.

Anyway - back at the workshop. Just a few days has seen such changes. Pigeon young have flown and I have two more eggs! My goslings are now quite grown and only have the tiniest fluff remaining on their pristine new feathers.

Vegetables galore - so exciting, I'm picking strawberries, gooseberries, cucumber, courgette and broad beans! Herbs are exploding out of their bed and netting surround - the geese are fond of plucking destructively at my lemony herbs and parsley, so it is fenced off.

It all needs a bit of tidying and weeding and getting under control! The cucumber tasted amazing - I had a whole one for breakfast! Runner Beans have run to the top of their canes - do I pinch them out now? Or train them to come down?

Yes, must have a weeding session, huge nettles with huge stings, docks and others I don't know the name of, that don't pull up easily. Weeding in the rain, tending my vegetables. Bliss.

Long Days!

2011-07-13T21:27:00.000-07:00

I knew they were, but I'm feeling the effects! The show opens at 7.30 am and closes at 7.30 pm and I've been driving in each day, quite an exhilerating change of routine, but I'm creaking a bit!

Today is the last day and it will be lovely to catch up with everything in my normal routine - the geese are complaining about their quick breakfasts and late suppers! And I'm missing everyone's blogs too!

This is Leveret - a new piece I have at the show - carved in a very course, gritty sandstone.

There are so many young hares on the lanes at the moment, dashing and darting for their routes back into the fields, some of which are now cut for hay. They zig-zag unpredictably, so wild and alive, startled and pristine.

This one seems a little shy though.

I've managed to visit one or two stands at the show - will tell you all about them when I'm back home and recovered!

Great Yorkshire Show

2011-07-08T07:01:00.000-07:00

Just in time I've got a special planter made for the show! I felt it had to be in keeping - a Yorkshire Rose to celebrate Yorkshireness, at the Great Yorkshire Show - the planter is in the best stone I could find, Yorkshire Sandstone and made in Yorkshire.

I'm exhibiting in the Art Pavillion, where there will be some of my sculpture too, located just about in the middle of the showground, with other artists all selected as Yorkshire's Best! All working in and inspired by Yorkshire. I thought I would introduce you to them, some of whom will be demonstrating how they create their art during the show.

Painter Les Packham, creative glass artist Caryl Hallet, self-taught painter Heather Simone, painter Ian Layton, ceramicist Jill Ford, sculptor Joel Walker, painter Rayford James Holroyd, painter Robert Brindley, and metal sculptor Steve Blaylock. Also joining us are painters Richard Keeton, Mike Hendy, David Allen and Bruce Mulcahy.

Do hope I get a bit of time to look round the show!

Lime Blossom

2011-07-07T00:41:00.000-07:00

In the hedgerow locally there is a large Lime tree, with a vast spread which at the moment is full of blossom. During the warm weather particularly, the sweet smell is intoxicating and it hits the nostrils way before you reach the tree. Heavenly.

Also as you approach, there is a humming sound, a deep buzzing, and when close you realise that the whole tree is swarming with bees. It is like this every day. Not only are the bees making use of the nectar from the flowers, but are also feeding on the honey dew dropped onto the leaves by the aphids feeding on the tree sap. This is what drips from the leaves and deposits the sticky mess often found under lime trees.

The word Lime derives from an old English word Lynde or Lind which is why the tree is also known as the Linden tree. And there are some really old Lime trees, the longest living recorded is 700 years, which is a lot of bees and a lot of honey.

There are stories of dead honey and bumble bees under Lime trees, with bees behaving in a 'drunken' way, unable to fly. This has been found to be due to some of the sugars found in lime flowers being responsible for affecting the carbohydrate metabolism in bees so that their blood sugar levels fall which weakens their ability to move and fly. This is particularly noticeable in very hot weather as the heat increases the sugar concentration.

Image from - How to Make Lime Blossom Tea

Legends and folk-lore are plentiful - when Zeus and Hermes came to earth to check that mortals were behaving, they came in disguise and knocked on many doors, being refused shelter until finally they came to a couple who welcomed them. As a reward for their generosity Zeus granted them their wish to remain together forever after death, and turned them into an Oak tree and a Lime tree so they could be side by side. It is common to find that Oak and Lime grow close to each other.

The Celts belived that the Lime was sacred, and it was common that judicial cases were heard with the court sitting under a lime tree as it was said to inspire fairness and justice. Lime trees were planted by royal decree along many roads to ensure that the harvest of its flowers was plentiful, as it was used a lot for its medicinal properties.

What a tree! I'm off to get my perfume fix!

The Block has Landed

2011-07-06T00:32:00.000-07:00

A couple of weeks ago I told you about my visit to Eskdale Quarry to select a block of stone - today it arrived and has been set down outside my work shed. The block weighs about three and a half tonnes and came on a waggon which only just fit through the gate.

I have never seen a vehicle like it, the bed, which was a large metal sheet with headboard, came off the back, lifted and pushed by a large hiab arrangement on the front of the lorry, then once flat on the ground the crane lifted one end and the stone slid off. It ended up a little lop-sided, but I can live with that, (I had visions of it rolling off at speed, through the fence and bouncing down the valley!) and certainly there is nothing I can do to level it now! I was so absorbed by the spectacle I didn't get a picture to show you all. It was an impressive sight.

This stone is for a compass design, which will be carved into the top. I'll keep you updated on progress.

You will see on the block the lovely iron-ore colouring, which unfortunately has got a bit scraped by heavy handling at the quarry, and also the drill holes where the plugs and feathers went to prise the stone block from the quarry face. Alternatively, these drill holes are filled with dynamite which blasts the block free!

House Name Plaque

2011-07-05T07:29:00.000-07:00

I've recently carved a house name in a block of stone, with incised lettering, and to make it really stand out the letters have been coloured black. It has been built into an existing wall, and now sits very naturally in the surroundings. It was a lovely sign to carve, as all the while I was thinking of the actual old orchard, from which the house got its name.

This is an orchard, perhaps eighty years old, with mostly apple, but some pear and plum trees too. Some of the trees were badly damaged after the heavy snow fall last winter, with too much weight for the ancient branches.

This path leads round the orchard. The trees are gnarled and crooked, covered in lichens and exquisitely beautiful.

The orchard has a range of apple varieties, these are Bramleys.

About half way round there is an old Yorkshire variety called Cockpit, first recorded in 1831. This is a variety which became popular in Yorkshire in the 19th Century. It is a medium sized, flat-round, green fruit, which has soft, juicy flesh. A sharp tasting apple cooking to a sweet, pleasantly flavoured puree.

It seems that it has been re-introduced as Cockpit Improved.

This is a heavenly orchard and I really look forward to the Autumn and harvesting, as I've been promised a crate or two from the crop.

Hand Made in Britain

2011-07-01T00:38:00.000-07:00

A recent email from Gillian Montegrande, the founder of Made by Hands of Britain, reminded me that the organisers of a biennale of live craft events, Handmade in Britain, are in the process of accepting applications from designer-makers who wish to be considered for entry into a new book they are aiming to publish – the Handmade in Britain Design Book.

The launch of the book will coincide with London Design Festival in September 2011. The book launch will take place in one of the trendiest venues in London, the Brickhouse with a private view evening of the selected designer-makers work on 26th September 2011 to coincide with London design festival.

It seems that they have extended their deadline for entries to the 4th July.

Have any of you applied for this? Wouldn't it be wonderful to have your work featured in such a book! And it has got me thinking - am I a designer? Am I a craftsman? Am I a sculptor? Artist? I suppose I have never really categorised myself in that way, and feel I'm probably all those things to a greater or lesser extent.

I look forward to seeing the book and finding out what the authors think.

Delivery Delights

2011-06-30T04:36:00.000-07:00

I have such lovely little adventures when I deliver to customers. Once the vehicle is loaded, it is a great feeling to be going somewhere new with my stone sculpture, to see where it will call home, and make sure it is installed and settled properly.

Yesterday I received such a warm reception and kind hospitality - after the placing and fixing was done, I was taken on a tour. This started with saying hello to some gorgeous pigs - one of them a breed I had never seen before, a curly coated pig, black skinned with blonde hair - a Lincolnshire Curly Coat. This one was moulting but you can see the curls on its ears!

These pigs sadly became extinct in the seventies, before the introduction of the Rare Breeds Survival Trust, but we had exported many to Hungary and Austria where they needed hardy stock. The Hungarians used the 'Lincolnshire Curly Coat' to cross with their 'Mangalitza' (a very similar curly coated pig) and the resultant cross was nicknamed the 'Lincolista'! We have managed to get some stock back and started breeding them again in this country.

We walked through a natural meadow, full of wild flowers and heaving with butterflies. Most I saw were the Ringlet butterfuly who's larva feed on grass.

Growing were lots of wildflowers and orchids.

Through the fields to the river boundary, wild yellow honeysuckle clambered tree branches and hung over the water, such sounds and smells, then on to a pond which had been dug, we checked the tin sheets for adders - none in sight, but toads burrowing backwards out of view. Damselflies darted and danced round the bullrushes in spectacular turquoise and red coats.

On leaving this paradise I was following briefly by a turkey family, who stopped in the drive to have dust baths.

I came home brimming with feelings after my expedition. You can see what a lovely adventure delivering can be, and understand why it takes me much longer than I thought it would! I wonder what tomorrow will bring?

From Gallery to Hall to Castle

2011-06-28T03:38:00.000-07:00

The Ludlow exhibition is now well underway and I'm home again, back to my normal routine. After the preview and Meet the Artist at the Ludlow Assembly Rooms we gathered for a wonderful supper, trying lots of Ludlow's finest gourmet treats. I slept like a log despite the fabulous Henley Hall gala event nearby - a champagne reception, dinner and auction (to raise funds for Ludlow Assembly Rooms refurbishment) in enormous marquees in the grounds, lit with flaming torches and coloured lights with music until the early hours.

Henley Hall is impressive and I wandered in the grounds before breakfast. There are original stable blocks and beautiful old tackrooms, hay stores and sheds.

I met the horses resting there after their leg of the journey from Land's End to John O'Groats of the horse-drawn WWI ambulence, a charity run by Horses Help Heroes. The garden is full of really old trees with huge girths and vast, luxuriant canopies - humbling.

We all then set off for a Birthday party held on the lawns of Hay Castle - I've heard of Hay on Wye, because of the famous festivals, but never been. The Castle was duly crumbling, exuding history and atmosphere. As we arrived a group of corvids set up from the ramparts complaining of our intrusion. Round the far side were cobbled pathways and higgeldy buildings all filled with books and old things. I met so many lovely people, and talked of a thousand things - about glass, farming, publishing, photography, architecture, past times, family and more, while the Revd. Mark Townsend mingled, enthralling us with magic tricks.

In the evening we watched the film Black Swan, had special chilli cauliflower cheese and I had my first ever guitar lesson - I stayed with friends who are musicians in a band, so we played and sang into the night. A fabulous weekend and one I will remember for a long time.

Quern Stone

2011-06-23T01:19:00.000-07:00

Last year I was asked to carve a house name plaque for a Quern Cottage. Quern was a word I knew, but didn't actually really know what it was. After looking it up I was fascinated by the findings. Quern stones are stone tools for hand grinding a wide variety of materials. They were used in pairs. The lower, stationary, stone is called a quern, whilst the upper, mobile, stone is called a handstone. They were first used in the neolithic period to grind cereals into flour. Research shows however that they were used for grinding almost anything, including medicines, alloys and even snuff.

The prized stone for making a quern-stone was igneous rock, which has a rough surface, but the particles do not break off easily which would cause whatever was being ground to be gritty, although examples in sandstone and gritstone have been found.

Quern-stone - Bracken Hall Countryside Centre and Museum, Bailden

Anyway, what brought this to mind are all the elderberry flowers, just coming out fully in the hedgerows. When I was researching the quern stone, I found a lovely recipe using the flour ground by a quern stone to make an elderflower and honey curd tart.

I'm no cook, but this was so delicious that I made a few, they got bigger each time! Now I'm thinking I need to get back to baking - have you ever made this? I think it is called Sambocade.

You make a pastry case, fill it with curds (I used cream cheese and cottage cheese together), mixed with honey and your elderflowers (pick just really sweet smelling ones, and scrape off the sprig with a fork), beaten egg and bake. Wholesomely scrummy!

A Special Preview

2011-06-20T16:30:00.000-07:00

For all my blog friends, those new - welcome - and those of you who regularly read and comment - thankyou, you're lovely company - here is a first view of one of the new pieces I am showing at my Ludlow exhibition. Red Fox is carved from a block of sandstone, which is rusty in colour, so very fitting.

I've got a really early start in the morning, driving to Ludlow to set up my exhibition 'My Chisel and I' which starts on Friday the 24th July - there's a Meet the Artist that evening - and then it runs to 7th August. I've been loading up the van today, and it is a tight squeeze! The Ludlow Assembly Rooms have a huge window at the front and I've made a poster to hang there - it isn't often you get the opportunity to put your name up in lights, and I couldn't pass it up, so bought some hardboard and paint and set to!

This is eight feet by four feet, so hopefully it will show up. I had forgotten how difficult it was to paint a straight line - don't look too closely, there are lots of wobbles. I did a smaller board with my tools on as well.

The gallery is on the 5th floor, so it will be quite a day setting up - luckily they've got a lift!

My Lovely Visitors and Scarecrows

2011-06-18T23:10:00.000-07:00

Today is the last day of my Open Studio, it seems to be over so very quickly - I'm getting thoroughly used to all the attention! Yesterday visitors braved the rain and came to see my sculpture and filled me up with lovely comments. Thankyou to you all, and to my new customers. I hope you realise how much your visits, conversations, words and stories encourage and inspire me and how much your support is appreciated. Thankyou again!

I made a shelf unit for displaying some of my smaller items, and over the days as the shelves have become empty, I've filled them up with little displays of flowers and I'm wondering if I should have a sell-off today at 4 pm, like they do at Chelsea!

This little planter is beginning to look a bit lonely, so today I will pick some flowers for it too!

We are having Open Gardens in the village this weekend as well, so I've had lots of suggestions for where the best flowers are! Hopefully I can manage to get round a few this evening and also see the display of scarecrows which have appeared everywhere. This one is on the way to my workshop and made me laugh. Though I do find scarecrows rather ... scary! Don't you? Something a bit unnerving about them.

Jackdaw Landing

2011-06-17T00:36:00.000-07:00

You'll know what I mean if you've been swooped on by protective parent birds - its alarming! Particularly so when they are large birds, in a gang! Actually it was more the surprise of it, a sudden muddle and clatter of wings, accompanied by loud and frenzied keowing from half a dozen Jackdaws. I heard air through feathers and felt the urgency of their alarm calls. They circled and flew repeatedly past me and away up to the trees.

I soon found the reason - right at my feet, I might have stepped on it, a young Jackdaw, presumably having just taken its first flight, and found itself rather heavily plopped to earth. It just sat there, blinking at me. I wondered if it was injured - but it did move and hop about and all seemed okay.

You don't often get to see these birds so close, and they can certainly charm with those beautiful blue eyes, so it was a bit of a battle - knowing I should come away and leave them alone, and really wanting to stay close and watch.

Whortleberries Ripe

2011-06-15T01:07:00.000-07:00

I was amazed recently when out on the moor, that the Whortleberries (or Bilberries) were ripe and I ended up picking enough for a meal. I think this is very early, normally I would expect to pick in July and August.

What a lovely name, and the bush has many more - bilberry; blueberry; heidelberry; huckleberry; hurtleberry and wimberry. The whortleberry, acquired its name according to a Greek legend. Myrtillus, son of Hermes paid the penalty of double-dealing by being thrown into the sea. His body was washed ashore and Hermes changed it into a whortleberry bush in memory of the unlucky youth.

There's a Blue Whortleberry, a Red Whortleberry and also a Bog Whortleberry. I think all the names come from closely related bushes of the Bilberry, which is the name I know and the berry which stained my tongue (and everything else) when I picked and ate them as a child. We ate them fresh, but also in pies and jams and I remember stories of the World War II British Pilots eating Bilberry jam before a raid, to aid night vision.

Bilberries are extremely difficult to grow and are thus seldom cultivated. Fruits are mostly collected from wild plants and are found in very acidic, nutrient poor soils. One characteristic is that they produce single or paired berries on the bush instead of clusters, as the blueberry does. The black, globular, flat topped fruit is larger and softer than blueberry, and often a berry rake is used for collecting them.

Image courtesy 'hisforhome'

I don't think there are as many bushes as there used to be, perhaps it is the bracken and fern growth overpowering them. Sheep grazing on the moors love them too, so you have to be quick to pick.

Visitors Come - Rain or Shine

2011-06-13T03:58:00.000-07:00

I've had a steady stream of visitors to my Open Studio over the weekend, with times of such a rush of people coming that I had to go out onto the lane and do 'vehicle management' waving my arms like a professional traffic controller! Thanks all for patience and fabulous driver manouvering skills!

The entrance to my shed where I am greeting visitors.

Despite the wind and rain lots of people made the journey to my Open Studio and have admired, talked about, left wonderful comments and bought my work!

A very, very dear customer came to say hello and bought one of my little crucible planters, and brought some home baked scones for me, which were delicious, fluffy and light as you like, very much enjoyed and restored me fully! Thankyou Betty and Richard.

I'm a happy, skippy stone sculptor today - a little hoarse from talking too much, but delighted and excited that some of my sculpture is going to new, loving homes!

Thankyou to all my lovely visitors!

See the rest of you next weekend, Saturday 18th and Sunday 19th June.

Opening Day

2011-06-11T00:21:00.000-07:00

Friday morning, up early to put out all the signs so visitors can find me easily. Typically it is raining!

Once in the village I helped with a few arrow signs to keep the traffic flowing! Actually they were ridiculously hard to hammer into the verges, as it has been so dry.

My first visitors arrived just as I opened the gate and said not to worry about the signs, as they knew the way, having been to my Open Studio the year before. They remembered seeing a piece they liked and had come back for it this year! It was a sculpture that is now sold and I could only show them pictures. We talked a little about 'kicking yourself' and 'wishing you had..'

More cars started to arrive - a busy day ahead.

Nearly Ready

2011-06-08T07:33:00.000-07:00

Just making final preparations for opening my workshop on Friday as part of the North Yorkshire Open Studio event.

Painting plinths and shelves, (good job the geese are already white), sweeping and tidying and placing sculpture to look its best.

Keep dashing between jobs as one minute we have black skies, thunderstorms, dramatic lightening and heavy downpours and the next baking brilliant sunshine. Must check the weekend forecast. Oh, and get my signs ready.

Best get back to it!

Selecting Stone

2011-06-06T04:53:00.000-07:00

On Saturday morning I had a meeting at Eskdale Quarry to choose a piece of stone for carving a village way-marker. The idea is to have a large boulder, natural, rough hewn, just as it comes from the quarry with a compass carved into the top. The sizes and design had been discussed at a site meeting earlier, so I took my measure to check dimensions.

This is a local quarry that I have not been to before, the stone is usually used for building, and for carving I could see it would be a challenge. It is heavily bedded, and crumbly in parts with large areas of colouring, banding and marking. This is very beautiful to look at as a boulder, but problematic when trying to carve fine detail.

Despite the acres of stone, I went from one boulder to the next, and next, rejecting as I went due to size, marking, soundness. Eventually, late into the morning, I found a piece, marking it as the one, and organised delivery to my workshop. It will be interesting to see how it behaves.

This quarry was chosen because it was felt local stone should be used for the project and I think this is a lovely idea in theory - in practice, for the proposed design it does mean compromises. Consequently I am see-sawing from feeling a bit frustrated to excited by the challenge of working differently and adapting as I go along.

While looking round for my block, I came across a hole in the quarry face, and this was described by the quarry owner as a jet mine. I crawled and squeezed into the opening (felt very daring) to have a look, but didn't find any nuggets. Jet was mined all along the Whitby coastline and many mines sprang up to cope with demand at the height of its popularity.

So I await delivery with mixed feelings - hope the weather stays fine as it is too big to fit in the workshop, I will be sitting on top of it to carve!

Ludlow Stone Carving Course

2011-06-05T05:30:00.000-07:00

What a lovely time, spent with my group of beginner carvers, who did incredibly well with their sculptures in just one day. Each piece was so different, showing a little individual something from the maker.

We had a real mix, a very ambitious piece based on Rodin's 'The Thinker', which showed considerable skill for a first time carve; very characterful and delicate relief carving; a bird (looked like something I might have carved!) which was smooth and rounded and sat in the hand so comfortably; a head carved with great free spirit, evolving as it went; lettercutting, a beautiful line of verse with each letter becoming smoother, neater and more confident, and a fossil encrusted boulder, with amonites and shells protruding and bursting out. Everyone worked really hard - it was hot, and they all barely stopped, with quick bites for lunch before getting back to work. Well done all - I am very proud of your efforts.

Ludlow looked wonderful, I shall explore more when I go down again later in the month for my exhibition. I did go astray in the one-way system, but it meant I saw more in finding my way back!

Must mention too, all the lovely people at the Ludlow Assembly Rooms, who were super friendly and helpful and made me feel very welcome. When I left, most of them were covered in stone dust from helping me move everything and load up. It was quite a sight, from our work room, a line of carvers carrying sculpture and people carrying workbenches and tools, leaving a trail of stone-dusty footprints down the corridor - thankyou for helping make it a very successful and happy day, and sorry for the mess!

PS: But don't worry - it is what I call 'clean dirt'!

Better get Going!

2011-06-02T05:46:00.000-07:00

I'm just setting off for Ludlow, for the stone carving course I am running tomorrow at the Assembly Rooms - all packed up and ready - really I should have left about an hour ago, or anyway that was the plan.

Anna Poulton (brilliant artist!) on one of my courses at Old Sleningford

I made myself a list of jobs to do before going and so the last couple of days has been rush and whirr. One of them was to get a new leaflet printed and sent out for my Open Studio. Three other artists and I joined together to make a little flyer, as we work within a few miles of each other, for visitors so they would know about the studios open in this area. Just by the skin of my teeth I've managed to get my allocation distributed to all the sites on my list, and I know the others have been working just as hard.

Sue Slack from Lockton is a painter, who is fabulously bold and vibrant with colour.

Elisabeth Bailey is a potter, and I have a number of her jugs, bowls and mugs in the kitchen and they are used on a regular basis.

And Janet Hayton, who works in the next village, Appleton Le Moors, is a ceramicist.

And me of course.

We've put a map on the back of the leaftlet, to help with planning a route.

So, just need to remember my sandwiches for the journey, really would like an ice-cream as it is so hot!, and I'm away.

Will bring back lots of pictures and tell you all about it.

The Sound of Stone

2011-06-01T01:09:00.000-07:00

When I first became interested in stone I took part time work in a quarry, my job was delving flagstones. This meant being at the rock face, prising slabs of stone from the surface, using the natural bed of the stone to rive the pieces free. Some of the slabs were huge and the work was heavy going - I was on piece-rate and didn't fare very well - not so much due to the hard labour, but more because I spent time looking in stunned amazement each time I broke a flag away. There before me was the surface of clean, fresh, raw stone which was seeing the light of day for the first time in millions of years! But more, there is a sound, a wet suction cracking sound, which signals the parting of the stone from its place, which for me is sublime. Music.

Stone continues to make sounds which please. All the time I am working I am instinctively listening to the noise the hammer and chisel are making when connecting with the stone. Sweet, clean tones, unless I'm stressing the stone too much, and then I hear it, and lighten my blows. Often I test the soundness of a block of stone by striking it smartly with my hammer, it reveals its denseness, a dullness suggests I should be wary.

Different stones play different music. When I was working Portland Stone for the first time I was thrilled by the sonorous ringing as I carved. It was my White Bird - and it sang back to me throughout its making.

In fact Portland Stone is known for its 'ringing' and when many quarries were being worked in the area, it was full of sound, like bells pealing as the quarrymen hammered.

The Portland Sculpture Quarry Trust are working on a project with Evelyn Glennie, the percussionist, for the 2012 Oympics on a composition to be played on a lithophone made from pieces of Portland stone, cut to make different sounds.

I'm hoping I've connected to this video from them successfully - if not, sorry - do go and listen on their site.

Natural History

2011-05-30T07:02:00.000-07:00

Most of my sculpture is based on wildlife and the natural world in one way or another, for me it is such a huge and endlessly inspiring subject area. After the winds recently blew down a branch from my old Sycamore tree, I was clearing it away to the wood shed and noticed that it was encrusted with lichens, creating little woodlands of their own.

I was fascinated to find out what these were and how they lived, so I took a section home to draw (very sculptural) and identify.

They reminded me of images I had seen on Natural History: The Origin of Style site. Actually these turned out to be images of things growing under the sea, but some of the colours and shapes are similar.

Linen Wall Hanging - Natural History

I'm captivated by the drawings, descriptions and equipment of the early researchers of Natural History and visiting this site is like an invitation into the laboratory or studio of one of the old explorers. I feel as if I might be one of them, returned from voyages busy assembling the findings for publication. All the items on this online emporium of luxury linens, decadent homewares and stylish accessories are designed from these early historical images.

Humming Bird Notecards - Natural History

Sarah, who opened Natural History in 2010 explains that the name came about from frequent visits to the Museum of Natural History in Dublin and memories of the museum and the stuffed animals there. Her influences and ideas are all brought to life in her blog, where she is having a special re-launch with a week of giveaways! See if you can resist her heavenly things.

As you can see I've got totally distracted and still don't know what the lichens are - any ideas?

Goings On!

2011-05-27T10:13:00.000-07:00

So much activity around the sheds at the moment, and not just me chipping away. The pigeon family have now hatched two young, I climbed up yesterday to take a quick peek into the owl box, and there were two wobbly pinkish beautifully ugly baby birds. The blue-tit young are very noisy, constantly cheeping for food. The parents go back and forth to the Sycamore tree, beaks full of insects - so I thought I would take a closer look to see what they were eating. Lots of greenfly are available.

While there I noticed that the leaves have become covered with red and green pimples - I've seen these before and never known what they are. Apparently they are leaf-galls - caused by miniscule mites which feed on sycamore leaves. Each red gall marks a spot where a mite has fed. The females over-winter in crevices in the bark, emerging in spring to feed on the new leaves. Where they feed, galls develop, each mite being responsible for many galls.

In contrast to the conspicuous red marks on the upper surface of the leaf, the corresponding locations on the underside of the leaf are just tiny holes, fringed with hairs; the mites use these holes to gain access to the galls, and lay their eggs in them in May. The developing larvae feed on the tissues that line the galls. Luckily this is not harmful to the tree. The undersides of the leaves are also littered with white carcases, shed presumably by the greenfly as they grow out of their skins.

I began to notice every tiny thing, or things. Caterpillars were woven in a sticky web around my apple leaves and were eating away - codling moth caterpillars I think. (I wonder whether this name comes from codling - an apple of tapering shape, or coddle - treat, treat oneself as invalid, wrap up, keep warm!)

Then I noticed this shield bug, (chust or stink bug), I could see its sucking mouth parts and was lucky whilst examining it as I hadn't realised they have stink glands and release large quantities of foul smelling liquid if disturbed. Anyway I moved it on.

Growth like mad in the greenhouse - I had no idea cucumber leaves were so bristly, it surprises me every time I touch them.

And I feel rather sad about this chap - a pipistrelle bat. I found it on the top of the door to my workshop, well, hanging down. I think I must have trapped it inadvertently when I opened, and then shut the doors. I've only just noticed it, and saw its little brown furry body. I will make sure to take care and look out for bats in future.

Chelsea Trends

2011-05-26T03:29:00.000-07:00

I'm loving the coverage of Chelsea Flower Show, both by the BBC and through so many blogs - such excitement and inspiring ideas for gardeners, and passionate debates on all things flower and garden orientated. Variety, say the RHS, is the watchword at Chelsea, but there are themes each year and Julie Hollobone of The Garden lists trends to watch.

Water features, Wildflowers, Garden offices, Shaped Trees and Sculpture.

Sculpture in the garden has always been on-trend with me - and to place it with a backdrop of wildflowers and trees, in full view from the garden office and overlooking the pond - seems perfect!

I loved the Skyshades garden for this reason, and for its care and concern for wildlife and the environment. The Artisan gardens took my fancy too, particularly The Art of Yorkshire where, centre stage, is a Barbara Hepworth Sculpture and planting to celebrate Yorkshire's art and landscape.

For exquisite planting I have to mention the Laurent-Perrier garden, with subtle soft pinks to echo the stone colour of the Peter Randall-Page sculpture - in fact this gets my favourite vote.

A close second would be the Irish Sky Garden, not necessarily for the pink aircraft, but the garden part was sublime.

One of the loveliest parts of Chelsea Flower Show is coming away with all the wonderful ideas and inspirations, new ways of planting, plant combinations, clever design and then coming home and putting the ones you like best, snippets of others, and your own interpretations to work.

Its a great week of feeling drenched in horticulture and all things garden, with eyes gone so wide, wide open by the show and splendour - it all just comes down to making me appreciate and love my own garden even more.